Please go to your post editor > Post Settings > Post Formats tab below your editor to enter video URL. Live Videos Recall: KYUSS live at Bizarre festival 1994 November 9, 2012 1 min read KYUSS‘s live performance from their Bizarre festival 2004 appearance is available below. Set list: Setlist:Gardenia Hurricane Freedom Run Thee Ol’ Boozeroony Supa Scoopa And The Mighty Scoop One Inch Man Green Machine Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: desert rockheavy metalkyussstoner rock Karol Kamiลski DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] You might be interested in May 29, 2026 SCARED LITTLE TOASTER premiere a live session of “Scared of the Manual” recorded inside a converted container April 28, 2026 Still Doing It: Micro-Tours in Your Forties April 23, 2026 Scott Vogel and TERROR mark album ten with “Still Suffer” and new documentary March 16, 2026 EPILEPSIA DC – almost 20 years of not fitting in, and a symphonic live EP that proves noise has no borders Previous Story Recall: The Hellfest Summer Open Air 2006 DVD Next Story Recall: UNEARTH – Alive From The Apocalypse DVD (2007) Latest Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage” Brighton emo band HAD SANDY talk spirituality, Citizen, Trophy Eyes, and “t’other side” “Those Dark Roads”: Cleveland punks SAINTS OF LORAIN premiere debut album THE DHARMA CHAIN unlock a hypnotic journey with “Some Kind of Pure State” New wave goth rockers VELVET MIST unveil a five-track concept EP about almost losing the light
May 29, 2026 SCARED LITTLE TOASTER premiere a live session of “Scared of the Manual” recorded inside a converted container
March 16, 2026 EPILEPSIA DC – almost 20 years of not fitting in, and a symphonic live EP that proves noise has no borders
Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”
