Please go to your post editor > Post Settings > Post Formats tab below your editor to enter video URL. Live Videos Recall: SLAPSHOT live in Germany, 1993 December 9, 2012 1 min read SLAPSHOT performed live somewhere in Germany back in 1993. The video documenting this show can be seen below: Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: hardcorehardcore punkslapshot Karol Kamiลski DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] You might be interested in May 29, 2026 SCARED LITTLE TOASTER premiere a live session of “Scared of the Manual” recorded inside a converted container April 28, 2026 Still Doing It: Micro-Tours in Your Forties April 23, 2026 Scott Vogel and TERROR mark album ten with “Still Suffer” and new documentary March 16, 2026 EPILEPSIA DC – almost 20 years of not fitting in, and a symphonic live EP that proves noise has no borders Previous Story Recall: GORILLA BISCUITS live in Prague, 1991 Next Story Revelation Records NYC 25th Anniversary videos [UPDATE] Latest Staycation: VOLYNKA discuss Fugazi, Bierce’s Devil’s Dictionary, and a record about confinement that grew out of post-lockdown years in Athens LA’s MERMAID ISLAND turn punk rock survival mode into a self-titled debut Like boys like girls like boys like girls’: an essay by Genevieve Glynn-Reeves of GEN AND THE DEGENERATES The French post-metallers LOST IN KYIV discuss the fifth album, new drummer, a Jung sample, and more Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”
May 29, 2026 SCARED LITTLE TOASTER premiere a live session of “Scared of the Manual” recorded inside a converted container
March 16, 2026 EPILEPSIA DC – almost 20 years of not fitting in, and a symphonic live EP that proves noise has no borders
Staycation: VOLYNKA discuss Fugazi, Bierce’s Devil’s Dictionary, and a record about confinement that grew out of post-lockdown years in Athens
Like boys like girls like boys like girls’: an essay by Genevieve Glynn-Reeves of GEN AND THE DEGENERATES
Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”