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black metal - Page 19

February 8, 2012

BATHORY tribute album “Voices From Valhalla” due in May

February 8, 2012

ALCEST / DEAFHEAVEN tour dates [UPDATE]

February 8, 2012

MARDUK continue recording their new album

January 30, 2012

DEAFHEAVEN interviewed by Pitchfork

January 26, 2012

BEHEMOTH / WATAIN / THE DEVIL’S BLOOD / IN SOLITUDE U.S. tour dates [UPDATE]

January 22, 2012

ABIGAIL WILLIAMS U.S. tour dates

January 18, 2012

BEHEMOTH European tour dates

January 17, 2012

ABIGAIL WILLIAMS stream their new album

January 6, 2012

WOLVES IN THE THRONE ROOM live in Northfield

January 1, 2012

MARDUK recording a new album

December 23, 2011

DEAFHEAVEN / HIEROPHANT European tour dates [UPDATE]

December 21, 2011

ALCEST – new album update & tour dates

December 13, 2011

WOLVES IN THE THRONE ROOM January dates

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Black metal is one of extreme metal’s most abrasive forms. Fast tempos, tremolo-picked distorted guitars, blast-beat drumming and shrieked vocals became common traits.

Venom and Bathory were among the bands that laid its 1980s foundations. Bathory’s early records helped establish an uncompromising template that later Scandinavian musicians studied closely. In the early 1990s, the Norwegian scene around Mayhem, Darkthrone, Emperor and other bands crystallised a second-wave form that became internationally influential.

IDIOTEQ often covers black metal at its borders. Turku’s Birching represent a stripped-down approach. Porto trio Mangualde connect black metal with neocrust, screamo, grindcore and mathcore. Iowa’s DRYAD come through black metal and crust.

Other routes move further outward. Nottingham’s Underdark brought The Cure into a post-black metal context. Atlanta’s Tómarúm work from progressive black metal, while Buenos Aires band Fenece sit near blackgaze and ambient black metal.

Across the archive, black metal repeatedly crosses into post-metal, screamo, crust and death metal.

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