December 13, 2023 Colorado chaotic post hardcore pioneers ANGEL HAIR resurface with new reissue, share timeless inspirations
December 12, 2023 DISTANCES: Albuquerque trio’s potent mix of post-metal and introspection in “Abstruse”
December 11, 2023 Two decades later: krishnacore / vegan straight edge band NYSHYNGA gets a reissue of “The Highest Class of Killing”
December 4, 2023 An interview with noise garage rockers GASWAR (members of Hammerhead, Cows, Melvins and Tomahawk)
December 1, 2023 BAYLINE – navigating the heartstrings of punk rock – new album “I Choose Love” decomposed
December 1, 2023 Screamo act JORNADA DEL MUERTO unveils the live grit and grime of “Pinturas Negras” – new live video streaming
November 29, 2023 11 gargantuan bands from Norway – Den Elektriske Salmebok shares a unique list of artists worth a good listen
November 29, 2023 Ukrainian screamy post hardcore act NEKURA blends emotive vibes with infectious melodies and heartfelt lyricism
November 24, 2023 Breaking down ‘Source of Suffering’, the newest EP from South Bay’s punk rockers ONE SQUARE MILE
November 24, 2023 From indie to emotive post hardcore: “Nowa Stocznia” by ŻURAWIE unveils a mutli-layered odyssey through personal and social realms
November 24, 2023 Behind the scenes of “Adria” – the multifaceted soundscapes of ZAHN’s latest eclectic album
November 24, 2023 Atmospheric post punk act TIGER! SHIT! TIGER! TIGER! unveils new single and video “Stones”
November 21, 2023 NANCY WHITAKER blends old and new in indie rock in eclectic new single “Mantelpiece”
November 21, 2023 Echoes of a Legacy: screamo bands paying tribute to COMA REGALIA – 12-way interview!
November 21, 2023 Experimental industrial rockers TOTE KINDER unleash their wild take on noise rock and industrial with “No Gene Will Save Us Now”
November 17, 2023 “Standing Here Like This”: GORILLA GORILLA GORILLA and the Emo Narrative in the Age of Late Capitalism
