June 29, 2023 Godspeed: A Homage to Pierre Kezdy of Chicago punk veterans, Naked Raygun – multi-artist interview
June 29, 2023 A Global Assembly of Spirit-Filled Hardcore in ‘The Bitter Taste of Lost Years'” – Resuscitation Records multi-artist interview
June 22, 2023 Embracing present through nostalgia: MORNINGVIEWS’ exploration of post hardcore and post rock in ‘La sindrome dell’età dell’oro’
June 22, 2023 Groovy funk hardcore era continues – SLOPE returns with crazy new tune “Freak Dreams”, new deal with Century Media
June 21, 2023 MIRAKLER unleashes a noisy ode to a lost friend, shares Top 5 Moves in Rock/Paper/Scissors
June 20, 2023 Soundscapes in Ink: Exploring the skin canvas of Denis from Belarusian-Polish screamo act SON OF DENI
May 23, 2023 Dark doom jazz Duo Mademoiselle Plume Rouge explores the shadowy underbelly of “Horror Politics”
May 18, 2023 GRAF ORLOCK’s top 5 dystopian films reflecting the contemporary malaise in “End Credits”
May 16, 2023 Into the twisted realm by enigmatic Danish project MARTRE – enter the nightmare of “Ofelia”
May 4, 2023 HAŃBA’s revolutionary new album “Kryzys”: a bold exploration of crisis through the lens of history
April 28, 2023 “When All Is Said And Done” – SCENARIO discusses one of the strongest screamo debuts of the year
April 28, 2023 NESKA LAGUN’s “caos: calma” weaves together screamo and post-hardcore tether with the sensibilities of post-rock
April 28, 2023 Melbourne grind powerviolence beast CHOOF streaming new wild album “Dimwitted Amoral Exploitation”
