May 31, 2023 “All The Wrong Turns Taken To Get Here” – Cincinnati post hardcore band KNIFE THE SYMPHONY discuss new album
May 30, 2023 Experimental rockers LOMA BAJA take us on a surreal journey with ‘Piscinas Verticales’: Track-by-Track Commentary
May 25, 2023 Unveiling the Surreal: trajedesaliva and Maud the Moth collaborate on “Bordando el manto terrestre”
May 23, 2023 The epic echoes of grief”: inside “Rejecting Obliteration” by BLINDFOLDED AND LED TO THE WOODS
May 23, 2023 Masked, nu metal infused grim death metallers DIRE THORNS discuss debut EP “State of Sikosis”
May 19, 2023 FINTE balance between chaos and harmony, brutality and beauty on new album “Wie das Endliche Treibt”
May 19, 2023 CATHEDRAL BELLS recontextualize dream pop, post punk and shoegaze into their own style on “Everything At Once”
May 18, 2023 GRAF ORLOCK’s top 5 dystopian films reflecting the contemporary malaise in “End Credits”
May 18, 2023 VANTABLACK WARSHIP discuss “Last of the Hardmouthed Poets”, premiere new lyric video for “Gone”
May 17, 2023 “Who Deserves Balloons and Medals?” – a vivid journey through the eclectic world of MAD MEG
May 16, 2023 Into the twisted realm by enigmatic Danish project MARTRE – enter the nightmare of “Ofelia”
May 12, 2023 HALF MAN opens up a vessel for personal expression and social critique on heavy new EP – listen!
April 27, 2023 “Every Dusk, Every Dawn” – experimental post-everything band THE GREAT MONTANA COLLAPSE break down latest EP
