Please go to your post editor > Post Settings > Post Formats tab below your editor to enter video URL. Interviews STARE Walter Delgado (ROTTING OUT / ALPHA & OMEGA / MINORITY UNIT)) interviewed by CorexLife July 25, 2012 1 min read CoreXLife blog interviewed Walter Delgado from ROTTING OUT, ALPHA & OMEGA and MINORITY UNIT. See the video below. Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: alpha & omegahardcorehardcore punkmetallic hardcoreminority unitrotting out Karol Kamiński DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] You might be interested in February 10, 2013 BAD RELIGION bassist interviewed by AMP Magazine, February 2013 February 10, 2013 STCIK TO YOUR GUNS interviewed by I Want My C TV February 9, 2013 PARKWAY DRIVE interviewed by PitCam February 9, 2013 The Self-Titled Magazine talks to HOT WATER MUSIC Previous Story DOUBLE CROSS Zine’s Tim McMahon (MOUTHPIECE) / Brian ‘Gordo’ Jordan interviewed by Noisecreep Next Story ABSOLUTION interviewed by Noisecreep Latest Baltimore’s emo alt rockers STILL BONES turn frustration into motion on collaborative EP “Start/Stop” KNUMEARS turn “Directions” into a map of change, family, and SoCal screamo THE SADDEST LANDSCAPE confront time, loss, and unfinished thoughts on “Alone With Heaven” – an interview Emo math rockers PASTEL stretch a decade of doubt into “A Lovers Manifesto,” a record shaped by instability and stubborn continuity Metallic hardcore mob WRECKONIZE push back on scene tourists with “Dead 2 Me / Nowhere 2 Run”
Previous Story DOUBLE CROSS Zine’s Tim McMahon (MOUTHPIECE) / Brian ‘Gordo’ Jordan interviewed by Noisecreep
Baltimore’s emo alt rockers STILL BONES turn frustration into motion on collaborative EP “Start/Stop”
THE SADDEST LANDSCAPE confront time, loss, and unfinished thoughts on “Alone With Heaven” – an interview
Emo math rockers PASTEL stretch a decade of doubt into “A Lovers Manifesto,” a record shaped by instability and stubborn continuity
