Please go to your post editor > Post Settings > Post Formats tab below your editor to enter video URL. Live Videos Recall: MORBID ANGEL live in Tampa, 1986 December 16, 2012 1 min read MORBID ANGEL performed live in Tampa, Florida back in 1986, three years before their debut album “Altars of Madness” was released. Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: death metalmorbid angel Karol Kamiński DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] You might be interested in May 29, 2026 SCARED LITTLE TOASTER premiere a live session of “Scared of the Manual” recorded inside a converted container April 28, 2026 Still Doing It: Micro-Tours in Your Forties April 23, 2026 Scott Vogel and TERROR mark album ten with “Still Suffer” and new documentary March 16, 2026 EPILEPSIA DC – almost 20 years of not fitting in, and a symphonic live EP that proves noise has no borders Previous Story Recall: SHELTER live in Philadelphia, 1991 Next Story Recall: NEUROSIS live in Berkeley, January 1988 Latest Staycation: VOLYNKA discuss Fugazi, Bierce’s Devil’s Dictionary, and a record about confinement that grew out of post-lockdown years in Athens LA’s MERMAID ISLAND turn punk rock survival mode into a self-titled debut Like boys like girls like boys like girls’: an essay by Genevieve Glynn-Reeves of GEN AND THE DEGENERATES The French post-metallers LOST IN KYIV discuss the fifth album, new drummer, a Jung sample, and more Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”
May 29, 2026 SCARED LITTLE TOASTER premiere a live session of “Scared of the Manual” recorded inside a converted container
March 16, 2026 EPILEPSIA DC – almost 20 years of not fitting in, and a symphonic live EP that proves noise has no borders
Staycation: VOLYNKA discuss Fugazi, Bierce’s Devil’s Dictionary, and a record about confinement that grew out of post-lockdown years in Athens
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Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”
