Downloads Brisbane hardcore act DEATHBED release new demo on Death’s Grip Records May 16, 2017 1 min read <a href="http://deathsgrip.bandcamp.com/album/views-from-my-deathbed" rel="nofollow noopener" target="_blank">Views From My Deathbed by Deathbed</a><a href="http://deathsgrip.bandcamp.com/album/views-from-my-deathbed" rel="nofollow noopener" target="_blank">Views From My Deathbed by Deathbed</a> DOWNLOAD DOWNLOAD (mirror) DOWNLOAD (mirror 2) — RECOMMENDED BY IDIOTEQ — Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: Death's Grip Recordsdeathbeddownloadhardcorehardcore punkmetalcoremetallic hardcore Karol Kamiński DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] You might be interested in April 8, 2020 BORUTA – “Try To Tread Us” (2010) [DOWNLOAD] July 4, 2017 VA – BDHW Rec. SAMPLER Vol. 4 (2017) June 19, 2017 French punks CHAVIRÉ struggle against the order of things on their new thought-provoking record ‘Interstices’ May 21, 2017 Philadelphia heavy hardcore mob TEN TON HAMMER release new EP “Chains” Previous Story Polish emo punks REVIVE release full demo; grab it for free! Next Story Warsaw noisy screamo punks HANAKO release debut EP Latest Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage” Brighton emo band HAD SANDY talk spirituality, Citizen, Trophy Eyes, and “t’other side” “Those Dark Roads”: Cleveland punks SAINTS OF LORAIN premiere debut album THE DHARMA CHAIN unlock a hypnotic journey with “Some Kind of Pure State” New wave goth rockers VELVET MIST unveil a five-track concept EP about almost losing the light
June 19, 2017 French punks CHAVIRÉ struggle against the order of things on their new thought-provoking record ‘Interstices’
Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”
