Please go to your post editor > Post Settings > Post Formats tab below your editor to enter video URL. Live Videos COLD WORLD / BACKTRACK / EXPIRE / DEAD END PATH live in Miami, June 2012 June 10, 2012 1 min read COLD WORLD, BACKTRACK, EXPIRE and DEAD END PATH performed live at The Talent Farm in Miami on June 7th, 2012. COLD WORLD: COLD WORLD / WAR HUNGRY: BACKTRACK: DEAD END PATH: EXPIRE: Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: backtrackcold worlddead end pathexpirehardcorehardcore punknyhcstraight edgewar hungry Karol Kamiลski DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] You might be interested in May 29, 2026 SCARED LITTLE TOASTER premiere a live session of “Scared of the Manual” recorded inside a converted container April 28, 2026 Still Doing It: Micro-Tours in Your Forties April 23, 2026 Scott Vogel and TERROR mark album ten with “Still Suffer” and new documentary March 16, 2026 EPILEPSIA DC – almost 20 years of not fitting in, and a symphonic live EP that proves noise has no borders Previous Story MACHINE HEAD live in London (secret show), June 2012 Next Story Recall: RADIOHEAD live in New York, October 2003 Latest Indie rockers VELOUR ON TAP map a Maritime Gothic North Atlantic on debut EP “Cruel Harbour” MACHINEKIT turn labour and exhaustion into five industrial punk bursts on “Body Without Organs” Sludge noise rockers WEALTHY WOMEN on toxic masculinity, war, and immigration on massive new album “Children” What Makes DIY Hardcore Festivals Survive How Keen Are Hardcore Fans On Digital Festival Downtime?
May 29, 2026 SCARED LITTLE TOASTER premiere a live session of “Scared of the Manual” recorded inside a converted container
March 16, 2026 EPILEPSIA DC – almost 20 years of not fitting in, and a symphonic live EP that proves noise has no borders
Sludge noise rockers WEALTHY WOMEN on toxic masculinity, war, and immigration on massive new album “Children”
