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DEAF CLUB premiere surreal new video for “Planet Bombing”

Chaotic hardcore punks DEAF CLUB join us today to give you their new music video for “Planet Bombing,” a single off of their upcoming LP, Productive Disruption, to be released January 6th, 2022! Directed by Eris Deo, with the support of director of photography Tyler Bradberry, editors Eris Deo, Evan Aretz, and assistant director Constantine Mickens, the video can be watched above!

Remaining credits: Set design, special effects, glitch art: Eris Deo, Art PA: Annabel Young, Computer art: Skinner, VFX: Evan Aretz, Extra footage provided by Nic Maier.

Deaf Club is a savage sound bath dripping with sardonicism: a blastbeat-centric hardcore punk assault channeling crust, thrash, and grind (un)sensibilities. Succinct pauses, surreal frequencies and effects, breakneck pace and sharply hurled vocals characterize the band’s aesthetic, which seems as though it is rooted in a sort of nasty-sound-meets-highbrow-message ethos. Fueled by the onslaught of society’s insanity and driven mad by tinnitus, Justin Pearson (The Locust, Dead Cross, Planet B), Brian Amalfitano (ACxDC), Scott Osment (Weak Flesh), Jason Klein (Run With The Hunted), and Tommy Meehan (The Manx, Chum Out!) approach music as an opportunity to confront our collective sicknesses.

Last October, the band released their debut EP, Contemporary Sickness, as well as a Remix cassette EP of bonus remixes featuring GothBoiClique’s YAWNS, Bubblegum Octopus, 304angstroms, and DJ Embryonic Petit Sac. More recently, the band released a cover and video of Killing Joke’s “The Wait” as a benefit, a slew of other music videos including a long form performance of their upcoming LP in its entirety, have worked on collaborations with clothing brand Brain Dead to release ultra limited test pressings of their upcoming album, and have played a handful of shows in Southern California, including under a bridge in DTLA lit by the spotlight of a police helicopter hovering overhead.

“Planet Bombing” is off of the LP, Productive Disruption, which will be released on limited vinyl, “persecutor color” limited to 700 and “pyrolysis color” limited to 300, as well as a limited 100 cassettes, via Three One G Records on January 6th, 2022. Preorder, here.

DEAF CLUB by 📸 Becky DiGiglio Photography

DEAF CLUB by 📸 Becky DiGiglio Photography

Ironically, Deaf Club’s debut LP was recorded on the same day as what would become known colloquially as The Insurrection – January 6th, 2021. While the actions that day at The Capitol were aimless, unplanned, asinine and delusional, this album was created in direct opposition without even knowing it: it is intentional, tactical, bitterly relevant. In short, it serves as a productive disruption to the bootlicking, copsucking, flag-fucking frenzy we’ve found ourselves surrounded by. And although the band’s 2019 EP, Contemporary Sickness, delivered its own blastbeat-fueled urgency in message and tone, this full-length ventures deeper into the abyss. Having had time to stew in the cesspool of the last two years and mutating into its newest variant, Deaf Club confidently emerged angrier, evolved, more focused and thus, more dangerous. It discovers nastier, weirder, grimier territory, often through its use of pedals and distortion, in large part due to the addition of sci fi shredder Tommy Meehan. Alongside Brian Amalfitano, these two guitarists leave no sound untuned. Merge this with Justin Pearson’s always acerbic lyrics alongside drummer Scott Osment and bassist Jason Klein, and what you end up with is Productive Disruption: a death threat to some, a love letter to others.

  • See Deaf Club Embrace Dadaism in Video for “Don’t Forget to Live” HERE
  • Watch the video for “Someday All Men Will Die,” HERE described by Metal Sucks as an “overstimulating, phantasmagoric paroxysm of saturated color, swirling camera moves, and subliminal imagery”,
  • Watch the recent single “For a Good Time, Call Someone Else” as well as read an interview with vocalist Justin Pearson, via New Noise Magazine, HERE.

“…recalls the chaotic early-’00s sounds of The Locust and Daughters as filtered through contemporary proteges like Death Goals and Bone Cutter.” —Flood Magazine

“It’s like someone mixed Red Bull and Adderall and cocaine into your coffee… lawless, lethiferous hardcore.” —Metal Sucks

“…relentless, furious grindy hardcore.” —BrooklynVegan

“…[Deaf Club] mixes d-beat, grind and hardcore with atonal guitars and a general sense of anxiety. It’s gnarly, fits well with Pearson’s previous work, and is totally essential for all you Stans out there, and new fans, too.” —-Revolver Magazine

“Deaf Club have assembled a blistering all-star cast set to full scale decibel peak.” —Cvlt Nation

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