May 27, 2025 BANK MYNA return with “EIMURIA”, a cathartic and ritualistic trip into inner fracture and transformation
May 26, 2025 DOUR’s “Rudiments” offers a stark shoegazin’ post punk dive into inner conflict, control, and the distortion of self in a system-designed world
May 23, 2025 Luis Gabriel Illades of Pansy Division launches VIDA VELLA, a personal solo project grounded in cross-border identity and reflection
May 23, 2025 IDEAL VICTIM protests patriarchy, isolation, and everyday oppression in their debut album
May 23, 2025 A long-lost live set from FINISTÈRE resurfaces twelve years later, capturing the moment just before they fell apart
May 21, 2025 Your Scene Will Thank You: GATTO BLACK punches back at Catholic guilt, puts a spotlight on Buffalo’s most vital acts
May 20, 2025 TIME IS THE RULER deliver existential grit and metallic weight on “The Tension” ahead of their debut album
May 20, 2025 Singapore post hardcore emo punks SHLTR confront memory and growing pains on “Weathered Place”
May 12, 2025 BLACK AUTUMN looks back on 30 years of solitude, tape hiss, and evolving isolationist black metal
May 8, 2025 BLOOD ESTATE returns with ‘Scream’, a simple beauty that hides something darker underneath
May 7, 2025 Vienna hardcore band PERFECT SKY return with “Hunting Demons” video, reflect on two decades of change, struggle, & perseverance
May 7, 2025 Finnish hardcore punk SEURAT return with new political album about collapse, care, and the possibilities of flesh
May 6, 2025 A book born out of rejection and the need to survive: Daryl Gussin (Razorcake fanzine) releases A Year in Submission
May 5, 2025 An abandoned seaport, a partcaster guitar, and a burned-out generation: a story of St. Petersburg emo screamo trio ANGST
May 2, 2025 Vegan straight edge band xapothecaryx confronts state violence, animal experimentation, and addiction with “The Machine Demands Blood”
May 1, 2025 THE LAST POST’s new EP “Wayfinder” reflects on love, grief, and mental health through nostalgic emo-pop arrangements
April 30, 2025 TRAVØLTA reunites powerviolence and protest on new split, confronts apathy, nationalism, and commodified DIY across a fractured scene
April 30, 2025 Where the Kids Still Scream: a punk documentary asks if the scene in New York is still alive—or just a good story we tell ourselves
April 30, 2025 Hardcore Lives! DEATH BEFORE DISHONOR discuss new album “Nowhere Bound”, old records, new scenes, aging in hardcore and more
April 30, 2025 DEATH_ON_IMPACT: a 17-year-old from Greenville turns anger into catharsis on “Oh Father, Why Here?”
April 28, 2025 LOREM IPSUM merge chamber instrumentation, baroque intimacy with acoustic screamo confession on “Même Quand Ta Main Quittera La Mienne”
April 28, 2025 Shoegazin’ emo act LA LUNE presents a raw depiction of detachment with “expressionless”, announces new EP
April 24, 2025 THOUGHT TRIALS return with Earthrise and Gaia—an intense blackgaze post-hardcore vision of climate collapse and resistance
April 24, 2025 Multi-style post hardcore rockers POINT MORT preview new album, reveal their top influences
April 24, 2025 HOLY DOSE channel holy psychosis, violence, and personal reckoning on wild new album “Don’t Give Everything”
April 23, 2025 BRIDGE THE GAP return with “Gainsayer”, an anthemic punk rock story built on melody, loss, and late-night inspiration
