July 21, 2023 Artist-to-artist interview: alternative darkwave acts NOW AFTER NOTHING and VIOLET SILHOUETTE
July 21, 2023 “Under The Western Heel”: DEMONS premiere an explosive blend of noise rock, sludge and hardcore
July 19, 2023 Indiana’s PISS ANT return with “Fuck Twelve”, a caustic message to the those that exercise abusive power
July 19, 2023 Zampler #21: a panoramic glimpse into the screamo scene through the eyes of Zegema Beach Records’ artists
July 18, 2023 Decades of nostalgia collide with white-belt hardcore in PUBLIC PHONE SCHOOL’s video for “The Write to Bear Claws”
July 12, 2023 Decade of defiance: behind the scenes of Venezia Hardcore Fest’s 10th anniversary celebration
July 12, 2023 Tracing the evolution of Rochester’s hardcore scene and the birth of two podcasts: in conversation with Josh Lyons
June 30, 2023 Vancouver metallic hardcore band INCISION unleashes sonic fury with “Mirroring an Indefinite Depiction” EP, share track by track commentary
June 30, 2023 NEIGHBORING SOUNDS’ quest for a harmonious world: listen to new single “Holiday Palaces”
June 29, 2023 Godspeed: A Homage to Pierre Kezdy of Chicago punk veterans, Naked Raygun – multi-artist interview
June 29, 2023 A Global Assembly of Spirit-Filled Hardcore in ‘The Bitter Taste of Lost Years'” – Resuscitation Records multi-artist interview
June 21, 2023 MIRAKLER unleashes a noisy ode to a lost friend, shares Top 5 Moves in Rock/Paper/Scissors
June 20, 2023 Soundscapes in Ink: Exploring the skin canvas of Denis from Belarusian-Polish screamo act SON OF DENI
June 16, 2023 Deathjazz! AGABAS unleashes gut-punching jazz-fused heaviness with new single “Evneveik”
June 14, 2023 Experimental rockers LES FANTÔMES DU JOUR premiere intriguing new single “Situations II”