Please go to your post editor > Post Settings > Post Formats tab below your editor to enter video URL. Live Videos MOUTH OF THE ARCHITECT / VOYAGE IN COMA / XOZO live in Baltimore, June 2012 June 21, 2012 1 min read MOUTH OF THE ARCHITECT, VOYAGE IN COMA and XOZO performed live at Golden West Cafe on Baltimore, MD opn June 17, 2012. MOUTH OF THE ARCHITECT: VOYAGE IN COMA: XOZO: Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: doom metalmouth of the architectpost hardcorepost metalpost rockscreamosludge metalvoyage in comaxozo Karol Kamiลski DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] You might be interested in May 29, 2026 SCARED LITTLE TOASTER premiere a live session of “Scared of the Manual” recorded inside a converted container April 28, 2026 Still Doing It: Micro-Tours in Your Forties April 23, 2026 Scott Vogel and TERROR mark album ten with “Still Suffer” and new documentary March 16, 2026 EPILEPSIA DC – almost 20 years of not fitting in, and a symphonic live EP that proves noise has no borders Previous Story HORDES / ACxDC / LIFE OF REFUSAL live in Corona, CA, June 2012 (INFEST, CROSSED OUT, SPAZZ, CHARLES BRONSON covers sets) Next Story Recall: EXODUS live in Bochum, 1989 Latest Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage” Brighton emo band HAD SANDY talk spirituality, Citizen, Trophy Eyes, and “t’other side” “Those Dark Roads”: Cleveland punks SAINTS OF LORAIN premiere debut album THE DHARMA CHAIN unlock a hypnotic journey with “Some Kind of Pure State” New wave goth rockers VELVET MIST unveil a five-track concept EP about almost losing the light
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Previous Story HORDES / ACxDC / LIFE OF REFUSAL live in Corona, CA, June 2012 (INFEST, CROSSED OUT, SPAZZ, CHARLES BRONSON covers sets)
Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”
