April 16, 2026 Cinematic indie rockers MERWULF premiere “The Mountain Lion,” a grief-driven single shot on the Oregon coast during king tides
April 16, 2026 Ex-OHHMS members MAN BAND launch “Strong Man” with “Dane Valley” and a look at male identity
April 16, 2026 London’s WATERDEER explore myth, regret, and missed connection on debut double single “Goddamn//Cassandra”
April 16, 2026 .gif from god return with “Dissimulation” and crack your skull open with “Volatile Simian Nervous-System”
April 16, 2026 THE APE premiere “Anticrats,” a politically charged second single ahead of their debut album on Loyal Blood Records
April 15, 2026 Cleveland’s CLOSEDOWN share new EP “The Doldrum Sound,” post-punk built around the way trauma accumulates
April 15, 2026 Grindcore act APE UNIT walk through “Sticks” track by track: ten songs, a drunk threat, and a diorama built from AI mistakes
April 15, 2026 HOLOCAUSTS, the Israeli anti-Zionist crust punk band, and what resistance looks like from the inside
April 15, 2026 Craig Lewis remembers Quebec City punks DISCORDIA, Caillou, and finding himself in Quebec City
April 14, 2026 THE ARRIVALS break down “Payload,” a Chicago return record with colonization, class war, and no patience for bullshit
April 14, 2026 From Richmond to Chicago, via Albini’s shadow: “The Four Flags” by With Patience, Orlock, IUIO and SoundTracks captures a tight-knit scene in one room
April 14, 2026 IF IT KILLS YOU return with “Arrow Eye” after shelving Albini-recorded sessions and lineup changes
