March 13, 2026 Extraordinary dark indie rockers DAMOKLES chronicle a fictional serial killer across thirteen tracks on their third album “A Trophy Collection”
March 13, 2026 Melodic hardcore pack WITHOUT LOVE confront the cost of paying attention on “Diminishing Returns”
March 13, 2026 NEVERSAID call out liberal apathy and centrist fence-sitting on “Apathy Of A Spokesman”
March 13, 2026 Painist ditches guitars entirely, runs a cheap piano through HM-2 pedals, and calls it crust punk
March 13, 2026 DOWN THE LEES document a moment worth freezing with “This Is What It Feels Like” concert film
March 13, 2026 Emo indie punks COMIC SANS channel heartbreak and lineup chaos into “Todas las cosas que nos salió mal”
March 12, 2026 Post hardcore pack KO-MA unpack corruption, dependence, and collective rot across eleven characters in their debut double LP
March 12, 2026 Grungy punks SCARBORO name their new single after a Japanese pottery repair technique, and it somehow makes perfect sense
March 11, 2026 Ryan Rumchaks from Knuckle Puck and Homesafe unveils “My Old Wallet,” a solo single about saying goodbye and finally moving forward
March 11, 2026 FLESH PRODUCE channel psychosis and post-mortem dread into “1040 RPM,” a first taste of the Seattle duo’s incoming “Hyper Chasm” LP
March 11, 2026 Bangkok-born, London-based 2045 spent a year and a half turning grief into one emo shoegaze single
March 4, 2026 BLOQUE built themselves from the wreckage of a dead band and a city that stopped caring
