March 16, 2026 Banjos, washboards, and bad decisions – THE STILL SPIRITS return after a decade with “Small Time Crime” – ten tracks of rowdy folk-punk party
March 16, 2026 NOOSE BOUND channel three years of silence and Indonesia’s political chaos into a metallic hardcore banger
March 16, 2026 JULIE’S HAIRCUT go track by track through “Radiance Opposition” – eight cyclical trips from Bram Stoker to Emily Dickinson
March 16, 2026 Meejah x Hiraki unpack the victim/executioner duality on “Interwoven” — with Loïc Rossetti on the duet that started at Roskilde
March 16, 2026 STUNT DRUMMER break down every track on “Warm Up, Tiger” – nine songs born from mistakes, cheap drinks, and a pear farmer named Paul
March 16, 2026 EPILEPSIA DC – almost 20 years of not fitting in, and a symphonic live EP that proves noise has no borders
March 16, 2026 DREAMWEB’s “Call Of The Void” almost died on a hard drive – instead, it became one of New Zealand’s most unsettling debuts this year
March 16, 2026 GIANTE turned depression into eight tracks of raw Basque post-hardcore on “Beste Norbait Izan”
March 16, 2026 FICTIONAL CHARACTER talk isolation, bedroom recordings, and a masked figure on “En Dedans”
March 15, 2026 MARRICKVILLAINZ’s “It’s A Band, Not A Bánh Mì”: three days on speed, beer, and a scrapped click track
March 15, 2026 FAKEYOURDEATH unpack identity, self-destruction, and the scrapped EP behind “(Non)entity”
March 13, 2026 Punk’n’rollers SPEAK FOR THE DEAD channel political paranoia and Motorhead vibes into a wild debut
