December 10, 2025 XAIN shape “Xaraba” into a remote-built collision of mathcore and Azerbaijani mugham
December 10, 2025 “Night Songs” lands in the Twin Cities with four post hardcore pieces of lived-in reflection from TOO LATE, BUT STILL
December 10, 2025 Stockholm noise rockers MPB trace a harder line on “Flattened”, return to English and writing straight into crisis
December 10, 2025 MOUNTAIN PEAKS trace the shape of their year with “what could have been (i could have been more)” and “stargazers”
December 9, 2025 KREIN’S LOW-BUDGET DEATH EXTRAVAGANZA rockin’ “Evil Love” with their warped take on punk
December 9, 2025 KENYA’s rise from Bali’s post-COVID reboot to the Outbreak stage tells a bigger story about a scene rebuilding itself
December 9, 2025 Emotive pop punk rockers THE SCABBY KNEES return with “Rosy Hues”, shaped by old friendships, local punk DNA, and a heavy dose of honesty
December 7, 2025 Noise Real Records opens its “Noise Pollution Series” with a Cursive 7” built around two long-evolving versions of “The Recluse”
December 5, 2025 MONOLITH trace the cost of a ruined world on the massive new record “The Price of Their Heaven”
December 5, 2025 An intercontinental 5-way screamo split arrives with new tracks from Jamais Vu, Razones para el olvido, Portia, Löri, and Ümit
December 4, 2025 Two members of LOWER AUTOMATION step into a new world of noisy industrial distortion on the first Grave Gnaw EP
