September 17, 2026 After almost 25 years at Revelation, Adam Lentz starts Bottom Six Records with YOUTH AVOIDERS’ “Defiance”
September 17, 2026 Rocky Mountain emo, panic attacks, Kyoto trains and a dog named Calvin: SKIIMO on their self-titled LP
September 16, 2026 Alle Foglie Fest: seven screamo bands talk class, gatekeeping, autonomous spaces and the cost of keeping DIY alive
September 16, 2026 10 melodic post-hardcore records to comeback to: from HOPESFALL to UNDEROATH: naming the records behind SHELTER & SOUND
September 16, 2026 Aaron Stauffer keeps counting waves on the way to 100 songs: listen to “Last March”
September 16, 2026 Milk St. premiere “Toyota Corolla” from “Good Grief”, new album road-tested across 120+ shows and 175,000 miles
September 16, 2026 SEROTONIN return after 23 years, bring their stop-start emo and post hardcore back into motion on “The Price”
September 15, 2026 New York indie rockers THE UPSIDES rewind childhood on โNew Jersey In The 90sโ
September 15, 2026 Reverb, memory and rainy streets of San Josรฉ – behind ALTURAS’ vision of shoegaze
September 14, 2026 Friendship budgets, Jungian psychology and years of Dortmund DIY shows – behind the scenes of “Chrysopoeia” by MORAL BOMBING
September 14, 2026 Aalborg hardcore bruisers HARD LESSONS pile five hardcore vocalists and one secret cameo into “Influx of Betrayal”
September 14, 2026 Ipecac Recordings’ COR DE LUX on Outer Banks life, rehearsal-room accidents and “Year Of The Horse”
September 14, 2026 Experimental pianist-composer Alfredo Ovalles on fatherhood, avant-rock and the broken rules of the concerto
September 12, 2026 Dutch hardcore powerhouse KRIME turn brain fog, 1950s nostalgia and Western moral claims into new hard-hitting EP