October 9, 2026 DEAFHEAVEN surprise-release their heaviest EP yet, with Oscar-winning Polish cinematographer Janusz Kamiński shooting the “Hunter” film
October 9, 2026 Texas crossover thrash heavyweights POWER TRIP return with “Precinct 3” and “Scavenger”, first new songs with Seth Gilmore
October 9, 2026 Denver vegan straight edge metalcore band MORAL LAW drop “Remnants” ahead of “Solemn Vows to a World Deplored”
October 9, 2026 What’s good in Portland? Prog post-metal duo SEMUTA share their own map of the city, from all-ages DIY to High Water Mark
October 9, 2026 Florence’s masked punk rock collective INSANE VOODOO DOLL revisit their punk roots and announce “Anthropo-cenere”
October 7, 2026 Portland metallic hardcore trio SPIT LOCKET rebuild from scratch with “Monopoly on Pain”
October 6, 2026 Guatemala crust punks LLVVIA bring three different routes through the local underground into their self-titled debut
October 5, 2026 DÖLTZ bring obscure 80s hardcore grime and a propeller-hat hivemind to “Total Recharge”
October 5, 2026 Beijing-born DIY punk project THE BURGERS use “To Kill Takeshi Kitano” to question who gets taken seriously
October 3, 2026 BORN FROM PAIN revisit Heerlen’s mining history on “Siege Mentality”, new music coming up in 2027
October 3, 2026 From SO36 to DIY basements, NERVE CENTER take their bleak hardcore across Berlin and beyond
October 3, 2026 Lille alt-metal post hardcore rockers SUNGRAVE confront personal fears and a world in crisis on “Afterglow”
October 3, 2026 London’s ACHERS join No Idea Records with the label’s first all-new release in nine years
October 2, 2026 Hi Res Music Streaming in 2026: High-Resolution Audio vs. Lossless CD Quality, Can You Hear the Difference, and Which Sounds Better
October 1, 2026 Innsbruck post-rock OUR CEASING VOICE gather twenty years of stops, returns and unfinished songs on “The Origin of Everything”
