October 14, 2026 Inside Đorđe Miladinović’s writing life, from hardcore records to Beat poetry and independent books
October 14, 2026 Germany’s …and then I feel nothing bring crushing, post-metal-leaning screamo and fading ideals to “Utopia’s Dust”
October 14, 2026 Seattle punks THE DROWNS take working-class anger and stubborn hope into “Harsh Reality”
October 14, 2026 Nantes’ GRISEVILLE carry French screamo history into a fierce, deeply personal debut EP
October 14, 2026 Hardanger punk rock’n’rollers DEAD TARGET bring their hometown roots to debut album “Still While It Spins”
October 13, 2026 New Found Glory’s Chad Gilbert on the real stories behind “Sticks and Stones”: revisiting his 2013 interview
October 13, 2026 Long Island’s PROTEST ART tell two sides of a collapsing America on glitchy metal-dubstep album “Stories From The End”
October 13, 2026 Austin emo/post-hardcore band OBSCURE ANIMALS give Stanley Monroe a family after death, then take it away
October 13, 2026 Montreal post-punks FEVER VISIONS bring years of DIY gigs into “This Place Is Full of Noises”
October 12, 2026 EROSION CHOIR unlocks twisted, unhinged metalcore madness with “Faith Based Flagellation Contract” video
October 11, 2026 The Number Twelve Looks Like You revisit “Mongrel” with former fans in the band and seven years of new history
October 11, 2026 Alt rockers AWAKE & DREAMING on building “Inevitable” around digital obsession, human isolation and the search for something real
October 10, 2026 From Caru’s bedroom to opening for Orchid: São Paulo “screamo fofo” band magnólia trace their place in Brazilian scene, comment on “ternura e violência”
October 10, 2026 From Scampia to Teatro Ariston: FIORI DEL MALE, a Gulf War song and 35 years of underground history
October 9, 2026 Bielefeld hardcore veterans FOXGLOVE bring 35 years of scene history into “Bloodbound”
October 9, 2026 Brighton alt-rock crew TOY PARLOUR find a fresh start after years in Beach Riot and Gnarlah
