Please go to your post editor > Post Settings > Post Formats tab below your editor to enter video URL. Interviews STARE Recall: MOUTHPIECE interviewed by Hardcore Collective, 2011 July 31, 2012 1 min read MOUTHPIECE were interviewed by Hardcore Collective on June 5, 2011 at the Glasshouse in Pomona, CA. Check out the videos below. Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: hardcorehardcore punkmouthpiecestraight edgeyouth crew Karol Kamiński DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] You might be interested in February 10, 2013 BAD RELIGION bassist interviewed by AMP Magazine, February 2013 February 10, 2013 STCIK TO YOUR GUNS interviewed by I Want My C TV February 9, 2013 PARKWAY DRIVE interviewed by PitCam February 9, 2013 The Self-Titled Magazine talks to HOT WATER MUSIC Previous Story ACxDC interviewed by Radio Valencia Next Story EXCLUSIVE: LOW-PASS interview Latest BEYOND THE STYX return with “DIVID” on Innerstrength Records, vocalist Emile breaks down the war, the borders, and the band’s slogan Oslo’s industrialized hardcore band TRUEANDTRUE drops “NOSEDIVE” KIDS OF RAGE map Barcelona’s vanishing hardcore, comment on staying loyal to 2000s hardcore through 16 years of lineup changes OMOIYARI’s “Poisoned Seas” pulls Icarus, Odin, and willow trees into a bedroom-built heavy album opener Beauty Is Timeless: HAMMOCK discuss ambient music as a way of seeing, belief, perception, and misreading the world
BEYOND THE STYX return with “DIVID” on Innerstrength Records, vocalist Emile breaks down the war, the borders, and the band’s slogan
KIDS OF RAGE map Barcelona’s vanishing hardcore, comment on staying loyal to 2000s hardcore through 16 years of lineup changes
OMOIYARI’s “Poisoned Seas” pulls Icarus, Odin, and willow trees into a bedroom-built heavy album opener
Beauty Is Timeless: HAMMOCK discuss ambient music as a way of seeing, belief, perception, and misreading the world
