Please go to your post editor > Post Settings > Post Formats tab below your editor to enter audio URL. Latest RISK IT! new album teaser March 12, 2012 1 min read Booyah! Listen to the title track of RISK IT!‘s upcoming album entitled “Who’s Foolin’ Who?”, to be released in April 2012 via Farewell Records. Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: hardcorehardcore punkrisk it!straight edge Karol Kamiลski DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] You might be interested in June 5, 2026 Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage” June 5, 2026 Brighton emo band HAD SANDY talk spirituality, Citizen, Trophy Eyes, and “t’other side” June 5, 2026 “Those Dark Roads”: Cleveland punks SAINTS OF LORAIN premiere debut album June 5, 2026 THE DHARMA CHAIN unlock a hypnotic journey with “Some Kind of Pure State” Previous Story FIELDS OF THE NEPHILIM, SHAPE OF DESPAIR and RISE AND FALL confirmed for Brutal Assault Festival 2012 Next Story AUTHOR & PUNISHER debut “Flesh Ants” Latest Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage” Brighton emo band HAD SANDY talk spirituality, Citizen, Trophy Eyes, and “t’other side” “Those Dark Roads”: Cleveland punks SAINTS OF LORAIN premiere debut album THE DHARMA CHAIN unlock a hypnotic journey with “Some Kind of Pure State” New wave goth rockers VELVET MIST unveil a five-track concept EP about almost losing the light
June 5, 2026 Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”
Previous Story FIELDS OF THE NEPHILIM, SHAPE OF DESPAIR and RISE AND FALL confirmed for Brutal Assault Festival 2012
Metal/hardcore hybrid OMIT ALL traces AI outsourcing, parasocial dependence, and endless war across “Lights Up on The End Stage”