May 19, 2023 FINTE balance between chaos and harmony, brutality and beauty on new album “Wie das Endliche Treibt”
May 19, 2023 CATHEDRAL BELLS recontextualize dream pop, post punk and shoegaze into their own style on “Everything At Once”
May 18, 2023 GRAF ORLOCK’s top 5 dystopian films reflecting the contemporary malaise in “End Credits”
May 18, 2023 VANTABLACK WARSHIP discuss “Last of the Hardmouthed Poets”, premiere new lyric video for “Gone”
May 18, 2023 What’s that ringing in you ear? NOTHINGHEADS share a collection of noisy post punk tracks worth a check
May 17, 2023 “Who Deserves Balloons and Medals?” – a vivid journey through the eclectic world of MAD MEG
May 17, 2023 DAMIEN DONE unveils an eclectic blend of post punk, gothic rock, new wave with great new album “Total Power”
May 16, 2023 Into the twisted realm by enigmatic Danish project MARTRE – enter the nightmare of “Ofelia”
May 15, 2023 Finnish metalcore / hardcore pack HEATHEN HEARTS premiere new EP “No Light Left to Chase”
May 12, 2023 Corporate Sponsored Sunday School: Walker and Wylde’s deconstructive journey fueled by hope
May 12, 2023 HALF MAN opens up a vessel for personal expression and social critique on heavy new EP – listen!
May 5, 2023 From Oasis, to Hum and Underoath – CLEARBODY shares 9 inspirational artists, new single streaming
May 5, 2023 “Young Drugs” – DAMIEN DONE steps into a dark dance of addiction and obsession with final single from new album
May 5, 2023 Australian emo indie punk rockers NO ACTION premiere new song “III”, discuss Adelaide alt scene, new split with AMID THE OLD WOUNDS
