November 29, 2023 11 gargantuan bands from Norway – Den Elektriske Salmebok shares a unique list of artists worth a good listen
November 24, 2023 Behind the scenes of “Adria” – the multifaceted soundscapes of ZAHN’s latest eclectic album
November 21, 2023 Experimental industrial rockers TOTE KINDER unleash their wild take on noise rock and industrial with “No Gene Will Save Us Now”
October 17, 2023 SLEEPBOMB delves into silent cinema with epic new project “The Cabinet of Dr. Caligari”
October 4, 2023 Turkish dark, atmospheric shoegaze experimentalists hiçamahiç streaming new video for “Düşünürüm”
October 4, 2023 Epic post metallers AZIMUT premiere new album “Dans les Méandres”, offer track by track commentary
September 29, 2023 NI’s new wild progressive instrumental “Zerkon” strikes a dissonant chord ahead of album release
September 26, 2023 VIOLENT MAGIC ORCHESTRA: an intense sonic and visual juggernaut return to Europe this October
September 20, 2023 Top 8 twisted jazzy experiments worth a listen – THE UPTIGHTS dive deeper into lo-fi noise post punk with “Jasper”
September 20, 2023 Navigating the musical multiverse of NOTILUS: an experimental electro-jazz journey into “II”
September 19, 2023 Louis Jucker & le Nouvel Ensemble Contemporain’s nuanced journey in “Suitcase Suite”
September 15, 2023 MILESHIGH’s ‘Sewing Machines’: a raw, dark acoustic oeuvre stitched from anxious threads and melancholic memories
September 12, 2023 Avant alt rockers PARQUET share “Miami Vice”, new album “Sparkles & Mud” coming up
September 12, 2023 ASH PRISON unveil the dystopian soundscape of their dark post industrial metal single “Death Reborn”
September 6, 2023 EPSOM SALTS grapple with systemic homophobia, racism, and misogyny in new experimental single “PIG!”
July 11, 2023 A new chapter in cinematic doom: San Francisco’s SLEEPBOMB signs with Koolarrow Records