Music Videos

DEAD CROSS debut a visual rebuke of organized religion in their new video “Church of the Motherfuckers”

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DEAD CROSS (Dave Lombardo (ex-Slayer/Suicidal Tendencies), Justin Pearson (Retox/The Locust), Mike Patton (Faith No More/Tomahawk) and Michael Crain (Retox, Festival of Dead Deer)) just dropped a new video for their song “Church of the Motherfuckers”. The band released their self-titled debut album in early August, which was followed by a five-week trek across North America including a spot at Riot Fest.

Rolling Stone said the album contains “10 charging, head-spinning ragers,” Revolver dubbed it a “28-minute blitzkrieg” and the LA Weekly proclaimed: “The band’s self-titled debut is a 28-minute burst of pure punk force, and is easily the most vitriolic material that either Lombardo or Patton has been involved with in many years.”

DEAD CROSS recently announced they’ll head to Europe next summer, already confirming a June 17 performance at Download Paris.

“We are not capable of understanding aspects of molecular genetics, let alone the universe,” said bass player Justin Pearson of the Michael Panduro directed clip. “I’d rather not fill in the blanks with outlandish oppressive morals, offensive social politics, and patriarchal garbage. In the year 2017 AD some humans still think there is a god.”

Dead Cross emerged out of a series of impractical schemes, fallen-through plans, and last-minute musical experimentation. Shows were scheduled before a single song was written, fans were formed before even one show was played. The chaos of its creation seems apt; after all, the band is comprised entirely of artists who have thrived playing tightly-coiled turmoil—intelligent dissonance disguised as disorder. Consisting of Dave Lombardo, Justin Pearson, Michael Crain, and Mike Patton, the impressive, expansive, and eclectic list of prior bands collectively played in would be enough to ensure the unyielding ferocity of the music… but a resume isn’t necessary, here. Dead Cross stands on its own, speaks volumes with its multilayered evil-genius vocals, manic guitar riffs, and brutal rhythms.

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