October 30, 2025 FAINTING DREAMS trace personal trauma and religious violence on eerie new album “You Can Be Anything”
July 14, 2025 A 38-track tribute to David Lynch unfolds through doom jazz and noir ambient on “The Black Lodge” compilation
July 4, 2025 BURIAL TREE returns with “The Power of Myth,” an extended three-track statement featuring Dave Lombardo, Bill Laswell, and Peter Apfelbaum
June 27, 2025 Wrestling with trance, memory, and gentrification: YEAR OF NO LIGHT revisit “Les Maîtres Fous”
June 3, 2025 Vision Eternel’s Alexander Julien has passed away, leaving behind a legacy shaped by nostalgia, heartbreak, and artistic discipline
March 26, 2025 Shortcuts to solitude: KAMYKI’s uncompromising drift through genres, memories, and isolation
January 21, 2025 “An Analogue Soul in the Digital World” – new beautiful post rock anthem from ATONALITA and HEREAFTER released
October 24, 2024 YENISEI’s “Home” explores new realsm while honoring post rock roots – new album breakdown
February 6, 2024 VISION ETERNEL’s “Echoes From Forgotten Hearts”: an in-depth journey through emotional landscapes of melogaze
September 20, 2023 Navigating the musical multiverse of NOTILUS: an experimental electro-jazz journey into “II”
May 25, 2023 Unveiling the Surreal: trajedesaliva and Maud the Moth collaborate on “Bordando el manto terrestre”
April 13, 2023 SON VAE discusses haunting new album “Son Væ”, DIY creative process, forming artistic identity
March 18, 2023 SIGUR ROS announce European and North American tour with 41-piece orchestra, teasing new album
March 3, 2023 Ukrainian avant-garde band Gravitsapa comment on new sonic experimental in the midst of the hardships of war
February 17, 2023 Collaboration of Souls – an inside look at the new album from Iranian post-rock project Atonalita
February 15, 2023 Orbel announces “Reworks”, a collection of reinterpretations of “Lur Hezea” by eight artists ranging from noise to dance
