Sparta have been doing this for more than two decades now. In the early 2000s a chunk of the audience saw them as one of the two paths that opened up after
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On every Omit All release until now, Dave Klyman handled production himself. For “Lights Up on The End Stage,” the
Jude wrote “t’other side” after every other song on the upcoming Had Sandy debut album. By the time it was
A firefighter started journaling at the firehouse about what emergency work does to a person over time, and what it
The Dharma Chain spent ten days at Funkhaus Berlin earlier this year, often working until three or four in the
Velvet Mist’s second EP arrives today on hand-numbered vinyl, and its shape depends on something the listener has to physically
“The Bottom Line” is the first thing anyone outside the room is hearing from Risk It’s new album. It’s also
The voices that open “Blurry Creatures” belong to drummer Zack Kelly’s children. They were recorded after the rest of the
Australian new wave synth post-punks screensaver are ten days into a European tour and have stopped for three days in
A lot of the songs on Oh Hiroshima’s new album have been waiting somewhere in Jakob HemstrΓΆm’s archive. The opener,
J.D. Morgan was on the fire escape outside his Milwaukee apartment, three stories up, working through a guitar piece he’d
track by track
Dearheart are difficult to file. The Seattle four-piece arrived in our inbox as a post-emo band, and that is one true thing you can say about them, but it stops being the
Premieres
A Lichtschacht is a narrow column of sky visible from the bottom of a basement stairwell. That’s the image the new German five-piece Misere have picked to plant their flag with on their debut single, a name that says there’s light up there even
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The video for “Same Old Haunts” was shot on a runway at
The economics of a Sinecures record come down to this: one bottle
Mid writer’s block, during practice, Harry was scrolling his phone looking for
The last song Ritual Bronze wrote for their debut started as homework
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Matt Bowles did not have much to work with. The director’s read on The Venus Children, going into the “Amygdala” video, was “a bunch of silly boys with no money,” so he built the shoot around exactly that. “The concept was born out of
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THROWNNESS ulock “Marrow Part II”, a place for the dead, somewhere between Neurosis and Dylan Thomas
By the time Thrownness tracked their first EP, the whole thing already
The Thirsty Giants spent one weekend in October tracking their first proper
On the live session premiering today, Hugh Lovric spent the recording unable
The alarm in βBoot Checkβ goes off at 4 a.m. βLace my
