September 24, 2026 THE GREAT OX IN THE BELLY OF A SNAKE carry fourteen years of Pennsylvania noise and Vulturepeak history into “Euphoric Dread”
September 24, 2026 Harrogate artist Ashley Reaks returns to punk on twentieth solo album “Post-Hope World”
September 24, 2026 Melodic metalcore act VAELTHUNDER turn a decade of old riffs, disappearing networks and internet fatigue into “Expose / Exist”
September 24, 2026 Gooseberry premiere “Gnash” and explain how “Simple Sucker” found its perfect fool
September 24, 2026 Illinois dark post-punk band THE HOUSE FLIES take us through old photographs, country churches and disappearing places on “Lions and Ore”
September 22, 2026 “Zero / Uno”: a two-song dialogue between San José shoegaze/post-hardcore band Adiós Cometa and Tokyo screamo band Cissné make
September 22, 2026 Katowice emo/shoegaze trio przeprosiny turn dream loss into captivating debut album “femme”
September 21, 2026 Madrid Latin hardcore band FIRSTLINE carry migration, family memory and life between countries into wild wild new EP “TRIBU”
September 21, 2026 DEVIL CITY CULT carry years of Madrid hardcore and metal history into “Murderous Retribution”
September 21, 2026 Experimental noise rockers WIKI bring their own rules for improvisation and recording into adventurous debut EP [sun]
September 20, 2026 Canadian experimental duo THE NAWROCKIS made “Kapusta” from live improvisation, family history and nearly four decades of Polish connections
September 18, 2026 Melbourne alt-rock band SOCIETY OF BEGGARS ask “How much is enough?” inside the consumerist doom-loop of “I Want I Want”
September 18, 2026 MY DEATH DIARY lost the masters, kept the songs, and found their way back into Jakarta emo
September 18, 2026 THE MORMONS finally record a 28-year-old song on “Rats”, alongside ghosts, dead machines and failing bodies
September 18, 2026 Emoviolent screamo band WELLNESS push metallic hardcore through black-metal melody on a record built for physical limits
September 17, 2026 HOLY PINTO connect love, commitment and Milwaukee life across the indie-pop of “Wedding Season”
September 17, 2026 After almost 25 years at Revelation, Adam Lentz starts Bottom Six Records with YOUTH AVOIDERS’ “Defiance”
September 17, 2026 Rocky Mountain emo, panic attacks, Kyoto trains and a dog named Calvin: SKIIMO on their self-titled LP
September 16, 2026 Alle Foglie Fest: seven screamo bands talk class, gatekeeping, autonomous spaces and the cost of keeping DIY alive
September 16, 2026 10 melodic post-hardcore records to comeback to: from HOPESFALL to UNDEROATH: naming the records behind SHELTER & SOUND
September 16, 2026 Aaron Stauffer keeps counting waves on the way to 100 songs: listen to “Last March”
September 16, 2026 Milk St. premiere “Toyota Corolla” from “Good Grief”, new album road-tested across 120+ shows and 175,000 miles
September 16, 2026 SEROTONIN return after 23 years, bring their stop-start emo and post hardcore back into motion on “The Price”
September 14, 2026 Friendship budgets, Jungian psychology and years of Dortmund DIY shows – behind the scenes of “Chrysopoeia” by MORAL BOMBING
September 14, 2026 Aalborg hardcore bruisers HARD LESSONS pile five hardcore vocalists and one secret cameo into “Influx of Betrayal”
September 14, 2026 Ipecac Recordings’ COR DE LUX on Outer Banks life, rehearsal-room accidents and “Year Of The Horse”
September 14, 2026 Experimental pianist-composer Alfredo Ovalles on fatherhood, avant-rock and the broken rules of the concerto
September 12, 2026 Dutch hardcore powerhouse KRIME turn brain fog, 1950s nostalgia and Western moral claims into new hard-hitting EP
