Please go to your post editor > Post Settings > Post Formats tab below your editor to enter audio URL. Interviews STARE JUDAS PRIEST guitarist interviewed by Musica Metal, May 2012 May 6, 2012 1 min read Italy’s Musica Metal recently conducted an interview with JUDAS PRIEST guitarist Glenn Tipton. Go here to check it out. Share this Facebook Messenger Twitter Whatsapp Reddit Email Tags: heavy metaljudas priest Karol Kamiński DIY rock music enthusiast and web-zine publisher from Warsaw, Poland. Supporting DIY ethics, local artists and promoting hardcore punk, rock, post rock and alternative music of all kinds via IDIOTEQ online channels. Contact via [email protected] You might be interested in February 10, 2013 BAD RELIGION bassist interviewed by AMP Magazine, February 2013 February 10, 2013 STCIK TO YOUR GUNS interviewed by I Want My C TV February 9, 2013 PARKWAY DRIVE interviewed by PitCam February 9, 2013 The Self-Titled Magazine talks to HOT WATER MUSIC Previous Story TESTAMENT guitarist interviewed by Guitar World, May 2012 Next Story BLINDEAD interviewed by Endemic Zine Latest Friendship budgets, Jungian psychology and years of Dortmund DIY shows – behind the scenes of “Chrysopoeia” by MORAL BOMBING Aalborg hardcore bruisers HARD LESSONS pile five hardcore vocalists and one secret cameo into “Influx of Betrayal” Ipecac Recordings’ COR DE LUX on Outer Banks life, rehearsal-room accidents and “Year Of The Horse” Experimental pianist-composer Alfredo Ovalles on fatherhood, avant-rock and the broken rules of the concerto Dutch hardcore powerhouse KRIME turn brain fog, 1950s nostalgia and Western moral claims into new hard-hitting EP
Friendship budgets, Jungian psychology and years of Dortmund DIY shows – behind the scenes of “Chrysopoeia” by MORAL BOMBING
Aalborg hardcore bruisers HARD LESSONS pile five hardcore vocalists and one secret cameo into “Influx of Betrayal”
Experimental pianist-composer Alfredo Ovalles on fatherhood, avant-rock and the broken rules of the concerto
Dutch hardcore powerhouse KRIME turn brain fog, 1950s nostalgia and Western moral claims into new hard-hitting EP
