July 25, 2023 Expired Tradition: confronting the elusive American Dream with MORAL POLLUTION’s “Nightmare of Reality”
July 25, 2023 Revisiting the New York Hardcore Scene: an interview with Blackout! Records’ Bill Wilson
July 21, 2023 Massachusetts Oi! hardcore band BRIX’N MORTAR premiere debut album “Something Ainโt Right”
July 21, 2023 Artist-to-artist interview: alternative darkwave acts NOW AFTER NOTHING and VIOLET SILHOUETTE
July 21, 2023 “Under The Western Heel”: DEMONS premiere an explosive blend of noise rock, sludge and hardcore
July 20, 2023 10 songs about our superficial society – grungy rockers TWIN MILL discuss inspirations behind their debut single “Drown”
July 20, 2023 Recalling the iconic “Black Sunday” from CYPRESS HILL: the 30th Anniversary Edition is here! [UPDATE]
July 19, 2023 Australian hardcore sensation SPEED share new USA HARDCORE tour documentary, kick-off tour in LA July 30th
July 19, 2023 Indianaโs PISS ANT return with “Fuck Twelve”, a caustic message to the those that exercise abusive power
July 19, 2023 Zampler #21: a panoramic glimpse into the screamo scene through the eyes of Zegema Beach Records’ artists
July 18, 2023 ANGEL DU$T announce new album “BRAND NEW SOUL” – new single and video “Space Jam” available
July 18, 2023 Decades of nostalgia collide with white-belt hardcore in PUBLIC PHONE SCHOOL’s video for “The Write to Bear Claws”
July 18, 2023 Indie rockers OLDSOUL embrace growth and collaboration in their third LP “Education on Earth”