March 3, 2023 Ukrainian avant-garde band Gravitsapa comment on new sonic experimental in the midst of the hardships of war
March 3, 2023 MADBALL discusses festivals, hardcore, and more in new interview for Monster Energy at Furnace Fest
March 3, 2023 Contemporary Noise Ensemble launches a journey through jazz, space rock, funk and electronic in new exciting album – new track streaming
March 3, 2023 “Horrorpunk’s Not Dead! Vol. 2” – Horror Punk / Psychobilly / Death Rock artists comment on the state of the spooky genre
March 3, 2023 Toilet Rats IV: Tommy Ratz on cheap recording, dumpster diving, recycling electronic junk, and finding new sounds on old gear
March 2, 2023 “Loneliness Will Sit Over Our Roofs With Brooding Wings” – screamo act TO BE GENTLE discusses new captivating release
March 2, 2023 VERSUS THE WORLD (members of Lagwagon, Good Riddance) premiere new video for “Roadsick/Roadsick”
March 2, 2023 Czech melodic hardcore band EMPTY HALL OF FAME share new video for striking new single “Světlo”
March 2, 2023 Foster homes, homelessness, the rise and fall: a portrait of Skwert Gunn (Public Serpents, ex-Choking Victim)
