July 3, 2023 Top 5 Ozploitation films of the 20th century, by instrumental post rockers BEAR THE MAMMOTH
June 30, 2023 Vancouver metallic hardcore band INCISION unleashes sonic fury with “Mirroring an Indefinite Depiction” EP, share track by track commentary
June 30, 2023 TWO-MAN GIANT SQUID’s “Progress” blends a sense of urgency with a playful sense of humor
June 30, 2023 WHISPERED TRUTH unveil “Completely Broken”, progressively fusing hardcore and metalcore
June 30, 2023 NEIGHBORING SOUNDS’ quest for a harmonious world: listen to new single “Holiday Palaces”
June 29, 2023 Godspeed: A Homage to Pierre Kezdy of Chicago punk veterans, Naked Raygun – multi-artist interview
June 29, 2023 A Global Assembly of Spirit-Filled Hardcore in ‘The Bitter Taste of Lost Years'” – Resuscitation Records multi-artist interview
June 22, 2023 Navigating the labyrinth of memory with “I’m Picking Lights in a Field…” by experimental, eerie act LANAYAH
June 22, 2023 Thrashy hardcore band DWNKILL checks in with debut album, comments on DIY scene in Houston
June 21, 2023 MIRAKLER unleashes a noisy ode to a lost friend, shares Top 5 Moves in Rock/Paper/Scissors
June 20, 2023 Punk rock infused rockers TORCH THE HIVE explore AI and social commentary in ‘Burn Me Out’ video
June 20, 2023 Soundscapes in Ink: Exploring the skin canvas of Denis from Belarusian-Polish screamo act SON OF DENI
June 16, 2023 Deathjazz! AGABAS unleashes gut-punching jazz-fused heaviness with new single “Evneveik”
