May 30, 2023 Experimental rockers LOMA BAJA take us on a surreal journey with ‘Piscinas Verticales’: Track-by-Track Commentary
May 30, 2023 Legendary Oxford rockers SWERVEDRIVER revisit their roots to unearth debut EP – an interview
May 26, 2023 Grungy emo indie punk rockers NEW VISION share inspirations for new EP “Somewhere On This Timeline”
May 25, 2023 Unveiling the Surreal: trajedesaliva and Maud the Moth collaborate on “Bordando el manto terrestre”
May 23, 2023 The epic echoes of grief”: inside “Rejecting Obliteration” by BLINDFOLDED AND LED TO THE WOODS
May 23, 2023 Dark doom jazz Duo Mademoiselle Plume Rouge explores the shadowy underbelly of “Horror Politics”
May 23, 2023 Masked, nu metal infused grim death metallers DIRE THORNS discuss debut EP “State of Sikosis”
May 22, 2023 “We See You”: post metal act BREATHS premieres stirring anthem for the unseen, feat. Matt McGachy of Cryptopsy
May 21, 2023 Swedish crusty metal punks ADRESTIA premiere new video “Ticking Bombs”, feat. T. Jonsson (Anti Cimex)
May 19, 2023 The dawn of “The End of Everything”: an exclusive look at OMEN ASTRA’s massive debut album
May 19, 2023 FINTE balance between chaos and harmony, brutality and beauty on new album “Wie das Endliche Treibt”
May 19, 2023 CATHEDRAL BELLS recontextualize dream pop, post punk and shoegaze into their own style on “Everything At Once”
May 18, 2023 GRAF ORLOCK’s top 5 dystopian films reflecting the contemporary malaise in “End Credits”
May 18, 2023 VANTABLACK WARSHIP discuss “Last of the Hardmouthed Poets”, premiere new lyric video for “Gone”
May 18, 2023 What’s that ringing in you ear? NOTHINGHEADS share a collection of noisy post punk tracks worth a check
May 17, 2023 “Who Deserves Balloons and Medals?” – a vivid journey through the eclectic world of MAD MEG
