May 12, 2023 HALF MAN opens up a vessel for personal expression and social critique on heavy new EP – listen!
May 5, 2023 From Oasis, to Hum and Underoath – CLEARBODY shares 9 inspirational artists, new single streaming
May 5, 2023 “Young Drugs” – DAMIEN DONE steps into a dark dance of addiction and obsession with final single from new album
May 5, 2023 Australian emo indie punk rockers NO ACTION premiere new song “III”, discuss Adelaide alt scene, new split with AMID THE OLD WOUNDS
May 4, 2023 Czech screamo act ZMAR reinterpret “The world is a beautiful place” by Lawrence Ferlinghetti into a dark new opus “Báječné Místo”
April 28, 2023 “When All Is Said And Done” – SCENARIO discusses one of the strongest screamo debuts of the year
April 28, 2023 Straight edge band SUFFOCATE FASTER returns with first new single in 16 years, the band reflects on the past and present of hardcore
April 27, 2023 “Every Dusk, Every Dawn” – experimental post-everything band THE GREAT MONTANA COLLAPSE break down latest EP
April 26, 2023 Crusty metallic hardcore from up close – minus.mensch perform live for Audiotree Sessions
April 26, 2023 BLACK BIRCH – epic post black metal duo delivers a captivating, intense journey with “SOIL”
April 25, 2023 Two chords and the truth – watch new music video for “Hidden Track”, by Seattle’s DEAD BARS
April 25, 2023 Jacek Radomski (APRIL / ZŁODZIEJE ROWERÓW) discusses the new re-issue of “Kill Depression” (Pasażer Records)
April 24, 2023 Pushing the boundaries of the post-punk – an interview with Chicago dark wave rockers BLEACHED CROSS
April 21, 2023 The Grief Cycle – Australian hardcore band ENTRAPMENT tackles cancer with 4 hard-hittting tracks
