November 9, 2023 This album came from Birmingham: behind the scenes of “Suicide in the City” by CAULDRON
November 3, 2023 Navigating the tumultuous depths of “Abyss”: discussing new dark post hardcore oeuvre from REGARDING AMBIGUITY
October 31, 2023 Why You Fking Suck at Writing Songs (and other things I wish someone told me when I started making records)
September 29, 2023 “Would You Miss It?” – new album from KOYO is finally here! New video, tour dates posted
September 22, 2023 SLUTAVVERKNING’s unique blend of noise-rock, punk and acid-jazz shines through new EP “Skruva, spika, hamra”
September 20, 2023 Top 8 twisted jazzy experiments worth a listen – THE UPTIGHTS dive deeper into lo-fi noise post punk with “Jasper”
September 19, 2023 Louis Jucker & le Nouvel Ensemble Contemporain’s nuanced journey in “Suitcase Suite”
September 18, 2023 “Con Uno Sguardo Solo” reveals the uncompromising trajectory of NOVERTE’s take on screamo and post hardcore
September 14, 2023 Refuse Records: three decades of resilient ethics in shifting landscape of hardcore punk
