June 3, 2026 MISERE debut “Lichtschacht”, a German-language post-hardcore track about strength in togetherness
June 1, 2026 SINECURES made “Brace” for two bottles of tequila, fuelled by a professor’s unease with big tech
June 1, 2026 DEARHEART trace the later stages of grief on their second album “Until All the Light in Us Is Given Up”
May 29, 2026 PROMISE premiere “Chlorine”, discuss catharsis, control, and Italy’s growing hardcore scene
May 28, 2026 HEALING WOUND talk through eight songs of depression, dissociation and forgiveness on “Bodies of Heavenly Violence”
May 28, 2026 Cleveland’s RITUAL BRONZE close their debut with “Tortured Artist,” a song about a life spent in bands
May 27, 2026 A STATIC LULLABY look back at their 2003 debut, touring, the new era, and the live version of “…And Don’t Forget To Breathe”
May 26, 2026 DEMERSAL preview an epic album about masculinity, loneliness, and hatred with “Som Sendt Fra Himlen”
May 26, 2026 awaywithroses dig into hospitals, scars and the Alberta scene on “My Involvement With Witchcraft”
May 26, 2026 SO–CRATES “V2” premiere “Reveal Itself,” three years of recording between England and Portugal
May 22, 2026 OCHRE’s “Trouble In The Eye Of The Beholder.” bends post-hardcore into self-interrogation
May 19, 2026 Blackened crust screamo beast MANGUALDE turn humiliation and wrath into a blackened debut with “A Festa”
May 19, 2026 Chris Broach (BRAID) pulls from Orwell on “Ministry of Truth,” from new solo EP “Reality Sufferer”
May 14, 2026 END OF THE LINE on summer 1991, Ebullition, and reunion shows with Downcast: an interview with Matt Anderson and Cory Linstrum
May 14, 2026 Premiere: CAR VS. DRIVER’s “Without A Day” from “Deja Grateful” reissue, 30 years out of print
May 8, 2026 Frenzy industrial punks THE FAMILY MEN talk “Co/de/termination,” the Gothenburg scene, and more
May 6, 2026 Rites of Spring Fest reopens the “real emo” question, returns to Munich for two days with Raein, Weatherday, and a FLINTA-led newcomer wave
May 6, 2026 Screamo splits tradition continues on the newest offering from Finland’s LETTERBOMBS and Göteborg’s ÅTERSTOD
May 6, 2026 Emotive post hardcore band MUROSUONO ditch the FOMO on “Chimera,” great new album co-released by five labels
April 30, 2026 Liverpool’s CUT SHORT tie post-relationship grief to the city’s industrial decline on new single “Unrequited”
April 30, 2026 SYDNEY share “Things Could Be Better” feat. Keith Buckley, the first piece of “Attachments”
