November 21, 2023 NANCY WHITAKER blends old and new in indie rock in eclectic new single “Mantelpiece”
November 21, 2023 Echoes of a Legacy: screamo bands paying tribute to COMA REGALIA – 12-way interview!
November 21, 2023 Experimental industrial rockers TOTE KINDER unleash their wild take on noise rock and industrial with “No Gene Will Save Us Now”
November 17, 2023 Funk hardcore rockers SLOPE unveils groovy single “It’s Tickin'” new album ‘Freak Dreams’ approaching
November 17, 2023 “Standing Here Like This”: GORILLA GORILLA GORILLA and the Emo Narrative in the Age of Late Capitalism
November 17, 2023 French post punk alt rockers PRINCESS THAILAND unveils new intriguing album “Golden Frames”
November 17, 2023 Cincinnati hardcore pack SUFFOCATE FASTER completes two-part EP series with “This Is The Way Vol. 2”
November 17, 2023 Melodic hardcore band WALK THE PLANK tackle isolation, fear, and loneliness on new EP – new video streaming!
November 16, 2023 YARDBOSS unveils ‘No Casket 1993’: a sonic time capsule from Dayton’s punk rock scene
November 15, 2023 C.L.S.M. (COLISEUM) marks a resurgence in Louisville’s hardcore scene with “Infinity Shit”
November 15, 2023 FOR DIFFERENT WAYS: Sardinian melodic hardcore pack unpacks their gritty journey through “Scars”
November 13, 2023 AMITURE’s ‘Billy’s Dream’: a raw glitch in Brooklyn’s alternative electronic soundscape
November 9, 2023 This album came from Birmingham: behind the scenes of “Suicide in the City” by CAULDRON
