March 9, 2023 The musical journey of Vadim Taver (A Life Once Lost, This Day Forward, Poison The Well)
March 9, 2023 THE MANSTERS tackles finding your own place in the Norwegian entertainment hierarchy with new wild single “The Entertainer”
March 8, 2023 Blink-182 becomes the main theme in new hit single from emo revival act YOUR BROKEN HERO
March 8, 2023 Tricky performs live with singer Marta Złakowska – new album from Marta & Tricky coming up
March 8, 2023 Milwaukee modern emotional metalcore outfit GRAYSEA share “Save Face”, feat. Aaron Gillespie of Underoath
March 7, 2023 Chris Wrenn discusses the story of Bridge Nine Records, shares updates on the label and Sully’s Brand
March 7, 2023 Heavy death-doom metallers 71TONMAN crushes with grim, well chiseled pace “Of End Times”
March 7, 2023 “Veleno” (Poison) – Cagliari hardcore band RIFLESSO introduces new singer, shares new single
March 7, 2023 DRAIN share another new jam – listen to “FTS (KYS)”, watch new video and catch the band on the road
March 6, 2023 The NEVERLAND RANCH DAVIDIANS blend psychedelic rock and primal rockabilly with rock’n’roll and rough-edged punk on new sensual release
March 6, 2023 Refuse Records share digital versions of Polish hardcore punk classics: ZŁODZIEJE ROWERÓW and CYMEON X
March 6, 2023 ROPES INSIDE A HOLE delve into the concepts of seclusion and loneliness on new epic album “A Man and His Nature”
March 6, 2023 TORCH THE HIVE discuss a concept of useless person ‘deku’, addresses grappling with depression, suicide
March 6, 2023 Bad Pritt blend cinematic, neoclassical and ambient music in new ethereal offering “Debris”
March 4, 2023 UNEARTH share new single “Mother Betrayal” – new album and loads of live dates coming up
March 3, 2023 Emo post hardcore icons ON THE MIGHT OF PRINCES re-release third and final record, “Sirens”, announce reunion show! [UPDATE]