September 25, 2023 An in-depth look at SETTLING…’s intimate shoegazin’ alt indie debut “You’re Always Alone In The End”
September 22, 2023 Punchy punk rockers FRENZEE share new video for “Infection”, playing shows in Europe
September 22, 2023 SLUTAVVERKNING’s unique blend of noise-rock, punk and acid-jazz shines through new EP “Skruva, spika, hamra”
September 22, 2023 TRAVO encapsulate heavy psych, progressive rock, and an unfiltered garage rock in new single “Turn To The Sun”
September 20, 2023 Top 8 twisted jazzy experiments worth a listen – THE UPTIGHTS dive deeper into lo-fi noise post punk with “Jasper”
September 20, 2023 “Of Gloom” – heavy metallic hardcore band CHAVER break down new album track by track
September 20, 2023 Navigating the musical multiverse of NOTILUS: an experimental electro-jazz journey into “II”
September 20, 2023 STILL HERE’s ‘Plaster Saint’ amplifies the voices of the alienated – watch new video now!
September 19, 2023 Louis Jucker & le Nouvel Ensemble Contemporain’s nuanced journey in “Suitcase Suite”
September 18, 2023 Reclaiming Hardcore: REACH A.D.’s intense visual unveiling in “Welcome To The Misery”
September 18, 2023 Unveiling the fragile heartbeat of SOMEWHERE SOUTH OF HERE: a one-year retrospective of “Leave Me for the Crows”
September 18, 2023 “Con Uno Sguardo Solo” reveals the uncompromising trajectory of NOVERTE’s take on screamo and post hardcore
September 15, 2023 Atmospheric post metal act HELVE navigates emotional terrains in new album “To Be Forgotten”
September 15, 2023 MILESHIGH’s ‘Sewing Machines’: a raw, dark acoustic oeuvre stitched from anxious threads and melancholic memories
September 15, 2023 SEERESS unleashes “Fear,” a harsh emotional soundscape touchin on the complexities of human existence
September 15, 2023 THE SUFFERING’s debut album unleashes a relentless metal onslaught – listen to “The Disconnect”