November 17, 2023 Melodic hardcore band WALK THE PLANK tackle isolation, fear, and loneliness on new EP – new video streaming!
November 16, 2023 YARDBOSS unveils ‘No Casket 1993’: a sonic time capsule from Dayton’s punk rock scene
November 15, 2023 C.L.S.M. (COLISEUM) marks a resurgence in Louisville’s hardcore scene with “Infinity Shit”
November 15, 2023 FOR DIFFERENT WAYS: Sardinian melodic hardcore pack unpacks their gritty journey through “Scars”
November 13, 2023 AMITURE’s ‘Billy’s Dream’: a raw glitch in Brooklyn’s alternative electronic soundscape
November 9, 2023 This album came from Birmingham: behind the scenes of “Suicide in the City” by CAULDRON
November 6, 2023 VELVET threads New York’s shoegaze scene, stitching seasons into their eerie melodies
November 3, 2023 Navigating the tumultuous depths of “Abyss”: discussing new dark post hardcore oeuvre from REGARDING AMBIGUITY
November 3, 2023 In the ethereal soundscapes of ‘Kintsukuroi’ from dreamy, fuzzy rockers HUMAN COLONIES
November 3, 2023 Influential hardcore punks PAINT IT BLACK unleash ‘Famine’ through Revelation Records
November 3, 2023 EX EVERYTHING: unleashing ‘Slow Change Will Pull Us Apart’ amidst the turmoil of modern existence
November 3, 2023 Istanbul’s blackened screamo ensemble JORNADA DEL MUERTO unveilsnew epic offering “Pinturas Negras”