May 1, 2026 MUSIC IS THE ENEMY break their eight-year silence – Albuquerque hardcore band drops new EP “Sansational”
April 30, 2026 THE NUCLEAR NUNS on Athens punk, the loss of free spaces, and self-pressing their debut LP “R.O.A.C.H.”
April 21, 2026 Spanish hardcore punks CORPORATE JOB on naming a hardcore band after the jobs they grew up hating
April 21, 2026 Spanish post hardcore banda ADIÓS CABALLOS pull Neuromancer, 1984, and Fight Club into new EP “Edificios Abandonados”
April 19, 2026 Chicanx hardcore pack QUIET FEAR traces backyard shows, language, and pressure on“La Tierra Arriba/El Abismo Abajo”
April 17, 2026 Blackened metal hardcore beast PILORI explores what survives after death on “Sans Adieu”
April 17, 2026 SCARBORO walk through “Hate Season” track by track – from a Congressional campaign to a love letter to punk
April 16, 2026 Ex-OHHMS members MAN BAND launch “Strong Man” with “Dane Valley” and a look at male identity
April 15, 2026 Cleveland’s CLOSEDOWN share new EP “The Doldrum Sound,” post-punk built around the way trauma accumulates
April 15, 2026 HOLOCAUSTS, the Israeli anti-Zionist crust punk band, and what resistance looks like from the inside
April 15, 2026 Craig Lewis remembers Quebec City punks DISCORDIA, Caillou, and finding himself in Quebec City
April 13, 2026 SPRING HOUSE pull Dischord’s elasticity into a Detroit debut that treats hardcore as open terrain
April 13, 2026 Swedish post-punk hardcore band INVISIBLE WOUNDS confront addiction, loss, and recovery on “Dark Visions”
April 10, 2026 Cobourg hardcore muscle MAXIMUM FORCE lock into late-80s hardcore blueprint on “Physical Therapy Records” demo
April 8, 2026 Bangkok duo CRAPGUM channel grindcore minimalism into a 15-minute critique of normalized brutality
April 3, 2026 THE SADDEST LANDSCAPE confront time, loss, and unfinished thoughts on “Alone With Heaven” – an interview
April 2, 2026 Metallic hardcore mob WRECKONIZE push back on scene tourists with “Dead 2 Me / Nowhere 2 Run”
April 2, 2026 Hardcore pack BIRDLEGS confronts inherited damage and digital control on “Visions Beyond The Ape Cave”
