September 29, 2023 Top heavy releases of 2023 – KINGSEEKER shares their top list, new single “…and I explode”
September 29, 2023 Norwegian melodic metalcore band ATENA unveils evolving sound in new album ‘Subway Anthem’
September 28, 2023 OAKHANDS tangles with the abyss in ‘A Circle with Many Centres’: a melodic confrontation of depression
September 28, 2023 “Down, Down” drifts up: emotive rockers ANXIOUS share new single amidst exhausting tour with THE WONDER YEARS
September 26, 2023 A cacophonous ballet of harmonic discord: Belgian noise rockers YOUFF discuss new album, premiere new video for “Heydays”
September 25, 2023 Touché Amoré’s “Is Survived By”: a decade’s resurgence – new remastered re-release coming up
September 18, 2023 “Con Uno Sguardo Solo” reveals the uncompromising trajectory of NOVERTE’s take on screamo and post hardcore
September 15, 2023 SEERESS unleashes “Fear,” a harsh emotional soundscape touchin on the complexities of human existence
September 12, 2023 A look back at ENVY’s “Insomniac Doze”: a modern classic in the landscape of post hardcore, celebrating its 17th anniversary today
September 12, 2023 Unveiling the new chapter from post hardcore band MAVRO GALA: an ode to discontent and tender Resilience
September 8, 2023 SOCIAL CATERPILLAR premieres “Smells Like Middle-Aged Apathy” – a nuanced dive into modern malaise
September 8, 2023 The Pumpkins meets BASEMENT in new emotive grunge track “Life In Small Town”, by CHEAP DATE
September 7, 2023 “Concede”: emoviolence act PIET ONTHEL discusses their exploration of everyday sadness
September 6, 2023 “...Only ashes remain” – French post hardcore act SPIRE SHARDS premiere & discuss new EP
