October 6, 2023 MMXXIII: a bold foray into different shades of screamo and post hardcore: the new SNAG / COMA REGALIA split breakdown
October 4, 2023 Brooklyn’s indie post hardcore act SHARKSWIMMER drops “Serenity”, new video with Thursday’s Geoff Rickly airing now
October 4, 2023 Turkish dark, atmospheric shoegaze experimentalists hiΓ§amahiΓ§ streaming new video for “DΓΌΕΓΌnΓΌrΓΌm”
September 29, 2023 Top heavy releases of 2023 – KINGSEEKER shares their top list, new single “…and I explode”
September 29, 2023 Norwegian melodic metalcore band ATENA unveils evolving sound in new album ‘Subway Anthem’
September 28, 2023 OAKHANDS tangles with the abyss in ‘A Circle with Many Centres’: a melodic confrontation of depression
September 28, 2023 “Down, Down” drifts up: emotive rockers ANXIOUS share new single amidst exhausting tour with THE WONDER YEARS
September 26, 2023 A cacophonous ballet of harmonic discord: Belgian noise rockers YOUFF discuss new album, premiere new video for “Heydays”
September 25, 2023 TouchΓ© AmorΓ©’s “Is Survived By”: a decade’s resurgence – new remastered re-release coming up
September 18, 2023 “Con Uno Sguardo Solo” reveals the uncompromising trajectory of NOVERTE’s take on screamo and post hardcore
September 15, 2023 SEERESS unleashes “Fear,” a harsh emotional soundscape touchin on the complexities of human existence
September 12, 2023 A look back at ENVY’s “Insomniac Doze”: a modern classic in the landscape of post hardcore, celebrating its 17th anniversary today
September 12, 2023 Unveiling the new chapter from post hardcore band MAVRO GALA: an ode to discontent and tender Resilience
September 8, 2023 SOCIAL CATERPILLAR premieres “Smells Like Middle-Aged Apathy” – a nuanced dive into modern malaise
September 8, 2023 The Pumpkins meets BASEMENT in new emotive grunge track “Life In Small Town”, by CHEAP DATE
