March 15, 2023 Billy BIOHAZARD shares views on core values of punk & hardcore, respecting differences, fighting Nazis and more
March 14, 2023 Progressive rockers EAST OF THE WALL share new single – new album coming up on Translation Loss Records
March 10, 2023 THE VAN PELT teasing long-awaited fourth studio full-length “Artisans & Merchants” – new songs streaming
March 10, 2023 THE MARS VOLTA teasing new version of their self-titled comeback album with acoustic single “Blank Condolences”
March 10, 2023 Metalcore band EMPLOYED TO SERVE share new track “Take Back Control”, “Conquering” Deluxe Edition out now
March 7, 2023 Chris Wrenn discusses the story of Bridge Nine Records, shares updates on the label and Sully’s Brand
March 6, 2023 Refuse Records share digital versions of Polish hardcore punk classics: ZΕODZIEJE ROWERΓW and CYMEON X
March 3, 2023 Emo post hardcore icons ON THE MIGHT OF PRINCES re-release third and final record, “Sirens”, announce reunion show! [UPDATE]
March 3, 2023 βHorrorpunkβs Not Dead! Vol. 2β – Horror Punk / Psychobilly / Death Rock artists comment on the state of the spooky genre
February 18, 2023 Boston legends CAVE IN announce the “Until Your Heart Stops” album deluxe edition reissue
February 15, 2023 Orbel announces “Reworks”, a collection of reinterpretations of “Lur Hezea” by eight artists ranging from noise to dance
February 4, 2023 EMPLOYED TO SERVE release ‘Sun Up To Sun Down (ft. Alien Weaponry)’, detail new version of “Conquering” LP
January 30, 2023 In celebration of ObZenβs 15th anniversary, MESHUGGAH unveils a sonically updated, remastered version of the album
January 26, 2023 Punk rockers VERSUS THE WORLD (members of Lagwagon, Good Riddance) announce new album “The Bastards Live Forever”
January 19, 2023 Gloomy post metallers DOWNFALL OF GAIA are back with ‘Silhouettes of Disgust’ on Metal Blade