September 6, 2023 BROKEN VOW sounds the alarm with “Reversal”: A Hardcore Clarion Call to Save Our Planet
September 6, 2023 SCOWL and Nuovo Testamento transform “Psychic Dance Routine” into a dark 80 dance pop anthem
September 6, 2023 EPSOM SALTS grapple with systemic homophobia, racism, and misogyny in new experimental single “PIG!”
September 6, 2023 “.โ.โ.โOnly ashes remain” – French post hardcore act SPIRE SHARDS premiere & discuss new EP
September 5, 2023 The fall of a punk-rock idealist: Justin Sane of ANTI-FLAG faces damning allegations
September 5, 2023 Limited edition vinyl of ISIS’ early EPs ‘The Mosquito Control’ and ‘The Red Sea’ available
September 5, 2023 BEAR reshapes the landscape of post metallic hardcore with saxophone infused “Defeatist”
September 1, 2023 Mathy post hardcore band ’68 announce new album “Yes, andโฆ” – listen to “Removed Their Hooks”
September 1, 2023 Jeff Rosenstock’s “HELLMODE”: navigating the chaos of the times with sincere punk introspection
September 1, 2023 CONVERGE drops deluxe edition of “The Dusk In Us”, reissue of “No Heroes” coming up
September 1, 2023 Milwaukee’s SNAG and Indiana’s COMA REGALIA readying new split – watch new video for SNAG’s “On The Human Condition”
September 1, 2023 PURE INTENTION unleashes ‘SUDS’: a raucous ode to Chicago nights and punk’s feral spirit
September 1, 2023 CLONE enriches the Brooklyn alternative / post punk scene with atmospheric new single “Immutable”
September 1, 2023 “Road to the Next Chapter”: Gab De La Vega’s journey through continuity and transformation
August 31, 2023 The veins of ‘Death Mother’: BLODET explores influences and process behind their haunting new album
August 31, 2023 FURY OF FIVE resurfaces with IYKYK remix, feat. members of E-Town Concrete, Wisdom in Chains, and more
August 30, 2023 DYING WISH channel storms of emotional ruin in another metalcore slayer “Symptoms of Survival”
August 29, 2023 Pop punk rockers KNUCKLE PUCK announce new album “Losing What We Love” – new song & video streaming