November 3, 2023 Influential hardcore punks PAINT IT BLACK unleash ‘Famine’ through Revelation Records
November 3, 2023 EX EVERYTHING: unleashing ‘Slow Change Will Pull Us Apart’ amidst the turmoil of modern existence
November 3, 2023 JUNKO DAYDREAM’s βEverybody Wantsβ delves into the conflict of modern human spirit
November 3, 2023 Istanbul’s blackened screamo ensemble JORNADA DEL MUERTO unveilsnew epic offering “Pinturas Negras”
November 3, 2023 Atmospheric waves from the south: FIN DEL MUNDO’s ‘Todo va hacia el mar’ streaming in full!
November 3, 2023 FORWARD TO EDEN’s dedicated quest through acoustic and core – new EP “I / IV” streaming, feat. xMAROONx cover!
November 2, 2023 FOREIGN HANDS are back with βConditioned for a Head-On Collisionβ, Olli Appleyard of Static Dress
November 2, 2023 SEERESS returns with ‘Holograms’: a stark ode to societal illusions and the power of awareness
November 2, 2023 ETT DΓDENS MASKINERI’s ‘HΓΆgerspΓΆket’ confronts the specter of ideological warfare
October 31, 2023 CLOSET WITCH premiere new video for “We Met on the Park Boundary Trail”, “Chiaroscuro” album coming up
October 30, 2023 High energy pop punk rockers SUCKER PUNCH tackles mental health with new EP “Better Pleasures”
October 27, 2023 DAMOKLES: “Swing, Pendulum, Swing” – a post hardcore infused sludgy noise rock exploration of existential angst and catharsis
October 27, 2023 High energy post punk’n’rollers SEX BEAT bring in the raw resurgence of danceable punk in “Call Me”
October 27, 2023 TAKING BACK SUNDAY’s “152”: emotive rockers return with raw emotion and melodic mastery
October 27, 2023 ROGUE LIMB’s ‘Actus Reus’: a deep dive into chaotic debut from hardcore / metalcore duo