April 21, 2023 Danish blackened shoegaze quartet A HORRIBLE DEATH TO A HORRIBLE MAN share “First Light”
April 20, 2023 SWERVEDRIVER embark on a journey to delve into their origins, unearth the inaugural recording of their debut EP
April 20, 2023 Legendary all-female punk act TOZIBABE discuss women in punk, freedom of speech, reunion show
April 20, 2023 BLOOMR unveils music video for great new organic single “Landlocked”, produced by J. Robbins
April 20, 2023 Rap-infused hardcore pack BAYWAY break down The Newport Sessions EP, out now on DAZE and RTF Records
April 20, 2023 “Devil Music” is not for the faint-hearted – new impressive album from PORTRAYAL OF GUILT has landed
April 20, 2023 MARIDIA – monstrous post hardcore hybrid premieres excellent debut offering – enter the “Guts of Mammon”!
April 20, 2023 THE ACACIA STRAIN teams up with CHAMBER vocalist for one of their hardest songs ever – listen to “Chain”
April 19, 2023 Swedish post-rock band EF celebrate the 10th anniversary of their fourth album “Ceremonies”
April 19, 2023 LOCHY I SMOKI capture the heart with great new indie emo punk single “Powiedz, ลผe wystarczam”
April 18, 2023 Doom metallers BELL WITCH announce new album, Futureโs Shadow Part 1: The Clandestine Gate.
April 18, 2023 An oppressed culture on the rise – NASTY are “Declaring War” with hard hitting new single
April 18, 2023 The world needs rock’n’roll: Ryan Allen talks about his projects, Revolution Summer vibes in BIG LIFE, and love for Detroit’s music legacy
April 18, 2023 Experimental art rockers OXBOW return with new album – new single “1000 Hours” streaming!
April 18, 2023 TALLER THAN THE TREES explore the diverse Landscape of post metal artists – see top picks and get lost “In Solitude”
April 18, 2023 Blackened d-beat hardcore metal beast SEROTONIN ZERO unleashes “Broken Worlds”, a vicious DIY punk manifesto