March 13, 2023 Female artists perspective on diversity, gender bias and more – an interview with Mississippi shoegaze rockers KICKING
March 13, 2023 DAISY CHAIN (member of Graf Orlock and Mossbreaker) blend hardcore punk with hard rock havoc in new single “Beat of the Chain”
March 10, 2023 MSPAINT blend hardcore, hip hop, synth-punk and more on great new debut album “Post-American”
March 10, 2023 Philadelphia punk’n’rollers RIVERSIDE ODDS premiere new album “Punching Above Our Weight”, hitting the road
March 10, 2023 Post-doom metallers BURIAL CLOUDS bear a dim light in a dark land with new album “Last Days of a Dying World”
March 10, 2023 THE VAN PELT teasing long-awaited fourth studio full-length “Artisans & Merchants” – new songs streaming
March 10, 2023 THE MARS VOLTA teasing new version of their self-titled comeback album with acoustic single “Blank Condolences”
March 10, 2023 20 diverse influences behind the raging new EP from Connecticut hardcore band DOWN WITH RENT
March 10, 2023 Chicago metallic hardcore pack BREAK THE CYCLE throws heavy punches with new 2-track promo tape
March 10, 2023 Metalcore band EMPLOYED TO SERVE share new track “Take Back Control”, “Conquering” Deluxe Edition out now
March 9, 2023 RUSSIAN CIRCLES share intense live session for Audiotree – interview & tour dates available
March 9, 2023 BODY STUFF share “Transmission” – upcoming new album features Xiu Xiu’s Jamie Stewart and pop icon Tiffany
March 9, 2023 Emo punk rockers HOT MULLIGAN share new single “Shhhh! Golf Is On” – new album “Why Would I Watch” coming up
March 9, 2023 The musical journey of Vadim Taver (A Life Once Lost, This Day Forward, Poison The Well)
March 9, 2023 THE MANSTERS tackles finding your own place in the Norwegian entertainment hierarchy with new wild single “The Entertainer”
March 8, 2023 Blink-182 becomes the main theme in new hit single from emo revival act YOUR BROKEN HERO
March 8, 2023 Tricky performs live with singer Marta Złakowska – new album from Marta & Tricky coming up