September 13, 2023 TURNPIKE’s “Angels Weep” and the resurgence of Cebu City’s metallic hardcore scene
September 12, 2023 ASH PRISON unveil the dystopian soundscape of their dark post industrial metal single “Death Reborn”
September 12, 2023 Unveiling the new chapter from post hardcore band MAVRO GALA: an ode to discontent and tender Resilience
September 8, 2023 SOCIAL CATERPILLAR premieres “Smells Like Middle-Aged Apathy” – a nuanced dive into modern malaise
September 8, 2023 The Pumpkins meets BASEMENT in new emotive grunge track “Life In Small Town”, by CHEAP DATE
September 7, 2023 “Concede”: emoviolence act PIET ONTHEL discusses their exploration of everyday sadness
September 6, 2023 EPSOM SALTS grapple with systemic homophobia, racism, and misogyny in new experimental single “PIG!”
September 6, 2023 “...Only ashes remain” – French post hardcore act SPIRE SHARDS premiere & discuss new EP
September 1, 2023 PURE INTENTION unleashes ‘SUDS’: a raucous ode to Chicago nights and punk’s feral spirit
September 1, 2023 CLONE enriches the Brooklyn alternative / post punk scene with atmospheric new single “Immutable”
September 1, 2023 “Road to the Next Chapter”: Gab De La Vega’s journey through continuity and transformation
August 31, 2023 The veins of ‘Death Mother’: BLODET explores influences and process behind their haunting new album
August 29, 2023 A leap into the technological abyss: Danish punk rockers FABLED MIND premiere new video for “Project Paradise”
August 28, 2023 Behind the video for “Jaywalker”, with Brooklyn emotive punk rockers GOOD LOOKING FRIENDS
August 26, 2023 Two shades of sludgy, blackened hardcore collide in the newest, crushing split from SIRENS CHANT and CVLT OF GRACE
August 25, 2023 Diving Into the Abyss: a track-by-track exploration of NIXIL’s “From the Wound Spilled Forth Fire”
