September 12, 2023 Hardcore band IRON MIND share “Assume Your Ultimate Form,” Australian Tour coming up
September 12, 2023 GODSEYES unveil “Progress//Regress”, filled with raw emotion and unexpected twists
September 12, 2023 Avant alt rockers PARQUET share “Miami Vice”, new album “Sparkles & Mud” coming up
September 12, 2023 ASH PRISON unveil the dystopian soundscape of their dark post industrial metal single “Death Reborn”
September 12, 2023 A look back at ENVY’s “Insomniac Doze”: a modern classic in the landscape of post hardcore, celebrating its 17th anniversary today
September 12, 2023 Unveiling the new chapter from post hardcore band MAVRO GALA: an ode to discontent and tender Resilience
September 8, 2023 The aftermath of ANTI-FLAG: a dissolution of ideals amid allegations against Justin Sane – the band issues statement
September 8, 2023 FUMING MOUTH unveils “The Silence Beyond Life” from upcoming album “Last Day Of Sun”
September 8, 2023 WARGASM teams up with Fred Durst for “Bang Ya Head”: a manifesto for millennial angst and nu-metal nostalgia
September 8, 2023 Heavy hardcore pack MORALSLIP share new crushing double single – watch new video now!
September 8, 2023 SOCIAL CATERPILLAR premieres “Smells Like Middle-Aged Apathy” – a nuanced dive into modern malaise
September 8, 2023 GOING OFF unleashes new tracks, tour with Employed To Serve and Pupil Slicer announced
September 8, 2023 The Pumpkins meets BASEMENT in new emotive grunge track “Life In Small Town”, by CHEAP DATE
September 7, 2023 “Concede”: emoviolence act PIET ONTHEL discusses their exploration of everyday sadness
September 6, 2023 ‘Dead Formats Vol. 2’ by Pure Noise Records conjures the past, present, and future – listen now!