March 8, 2023 Blink-182 becomes the main theme in new hit single from emo revival act YOUR BROKEN HERO
March 8, 2023 Milwaukee modern emotional metalcore outfit GRAYSEA share “Save Face”, feat. Aaron Gillespie of Underoath
March 7, 2023 Heavy death-doom metallers 71TONMAN crushes with grim, well chiseled pace “Of End Times”
March 7, 2023 “Veleno” (Poison) – Cagliari hardcore band RIFLESSO introduces new singer, shares new single
March 7, 2023 DRAIN share another new jam – listen to “FTS (KYS)”, watch new video and catch the band on the road
March 6, 2023 The NEVERLAND RANCH DAVIDIANS blend psychedelic rock and primal rockabilly with rock’n’roll and rough-edged punk on new sensual release
March 6, 2023 ROPES INSIDE A HOLE delve into the concepts of seclusion and loneliness on new epic album “A Man and His Nature”
March 6, 2023 TORCH THE HIVE discuss a concept of useless person ‘deku’, addresses grappling with depression, suicide
March 6, 2023 Bad Pritt blend cinematic, neoclassical and ambient music in new ethereal offering “Debris”
March 4, 2023 UNEARTH share new single “Mother Betrayal” – new album and loads of live dates coming up
March 3, 2023 Visionary math rockers LYNX re-release striking debut album in new outstanding packaging via Computer Students
March 3, 2023 Ukrainian avant-garde band Gravitsapa comment on new sonic experimental in the midst of the hardships of war
March 3, 2023 Contemporary Noise Ensemble launches a journey through jazz, space rock, funk and electronic in new exciting album – new track streaming
March 3, 2023 “Horrorpunk’s Not Dead! Vol. 2” – Horror Punk / Psychobilly / Death Rock artists comment on the state of the spooky genre